the great wall - résultats de la recherche

Rudy Grossmann has nearly 20 years of experience in the visual effects. He has worked in many studios such as Industrial Light & Magic, The Orphanage, Weta Digital or Digital Domain before joining Atomic Fiction in 2014. At Atomic Fiction, he has worked on different movies such as THE WALK, DEADPOOL or ALIEN: COVENANT.

Last year, François Dumoulin explained to us about the work of Rodeo FX on THE LEGEND OF TARZAN. He speaks to us today about his new collaboration with Luc Besson and the challenges encountered on VALERIAN.

In 2012, Gary Brozenich explained to us about the work of MPC on WRATH OF THE TITANS. He then took care of the visual effects on THE LONE RANGER, EDGE OF TOMORROW and TERMINATOR GENISYS. Now he is back into the world of PIRATES OF THE CARIBBEAN.

Darren Poe has more than 20 years of experience in visual effects. He worked at Digital Domain, Weta Digital, Scanline VFX and then joined Double Negative in 2016. He has worked on many films such as FIGHT CLUB, STAR TREK, TRON: LEGACY and THE AVENGERS.

In 2012, Olivier Dumont explained to us the work of Method Studios on WRATH OF THE TITANS. He then worked on many films such as GUARDIANS OF THE GALAXY, AVENGERS: AGE OF ULTRON, BATMAN V SUPERMAN: DAWN OF JUSTICE or VOYAGE OF TIME: LIFE'S JOURNEY.

In 2012, Paul Butterworth explained to us the work of Fuel VFX on PROMETHEUS. He then worked on IRON MAN 3, THE HUNGER GAMES: CATCHING FIRE and X-MEN: DAYS OF FUTURE PAST. In 2014, Fuel VFX is acquired by Animal Logic. Within this studio, Paul works on INSURGENT, AVENGERS: AGE OF ULTRON and CAPTAIN AMERICA: CIVIL WAR.

In 2013, Guy Williams explained to us about Weta Digital's work on THE HUNGER GAMES: CATCHING FIRE. Today he talks about his new collaboration with VFX supervisor Christopher Townsend, this time for GUARDIANS OF THE GALAXY VOL 2.

In 2014, Kyle McCulloch had explained to us the work of Framestore on GUARDIANS OF THE GALAXY. He then took care of the visual effects of PAN.

Prior to joining Brainstorm Digital in 2010. Eran Dinur worked at Framestore and Industrial Light & Magic. At Brainstorm Digital, he took care of the effects of BOARDWALK EMPIRE, THE IMMIGRANT, THE WOLF OF WALL STREET, CAFE SOCIETY and NERVE. He has just released his book The Filmmaker's Guide to Visual Effects.

At the beginning of the year, Philippe Theroux explained to us the work of Hybride on ARRIVAL. He then took care of the effects of DEEPWATER HORIZON, THE GREAT WALL and ROGUE ONE: A STAR WARS STORY.