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TRON LEGACY: Charlie Iturriaga – VFX Supervisor – Ollin Studio
After working several years in Mexico and Latin America, Charlie Iturriaga and Ollin Studio began a long collaboration with David Fincher working on ZODIAC, THE CURIOUS CASE OF BENJAMIN BUTTON and THE SOCIAL NETWORK. At their credits, there are also the visual effects of THE SPIRIT, LET ME IN and THE LAST AIRBENDER.
TRON LEGACY: Danny Yount – Creative Director – Prologue Films
Danny Yount, Creative Director at Prologue Films, accompanied by Daniel Klohn and Miles Laurisden talks about their work on TRON LEGACY. Prologue is a studio specializing in the design of film credits and motion design. They worked on films such as IRON MAN 2, THE LOSERS or SHERLOCK HOLMES and TV show like THE WALKING DEAD.
CENTURION: Jacob Otterström – VFX Supervisor – Filmgate
Jacob Otterström worked at Filmgate for more than 4 years. He has participated on movies such as THE COTTAGE, EDEN LAKE or THE DESCENT Part 2.
RESIDENT EVIL AFTERLIFE 3D: Ara Khanikian – Lead Compositing – Rodeo...
After we have talked about the visual effects of Rodeo FX on JONAH HEX, Ara Khanikian gave me a new interview to talk about RESIDENT EVIL : AFTERLIFE 3D.
TOY STORY 3: Simon Christen – 3D Animator – Pixar
[lang_fr]Après ses études en Suisse, Simon Christen est venu en Californie pour étudier à l'Academy of Art University de San Francisco. Une fois diplômé, il a fait un premier travail chez Pixar puis ensuite chez Disney avant de retourner chez Pixar où il a travaillé depuis sur RATATOUILLE, UP et TOY STORY 3.
Dans l'interview qui suit, il nous parle de son travail sur TOY STORY 3.
Pour lire l'interview, cliquer ici.
// Version originale: Anglais[/lang_fr][lang_en]After his studies in Switzerland, Simon Christen came to California to study at the Academy of Art University in San Francisco. After graduation, he took a first job at Pixar and then Disney before going back at Pixar, where he has worked since on RATATOUILLE, UP and TOY STORY 3.
In the following interview, he talks to us about his work on TOY STORY 3.
To read the interview, click here.
// Original version: English.[/lang_en] 
INCEPTION: Paul Franklin – VFX Supervisor – Double Negative
After beginning his career at Digital Film and MPC, Paul Franklin helps to the creation of the studio Double Negative in 1998. Since then he has supervised projects such as THE LEAGUE OF EXTRAORDINARY GENTLEMEN and HARRY POTTER AND THE ORDER OF THE PHOENIX and has supervised all the movies of Christopher Nolan since BATMAN BEGINS. In the following interview, he talks to us about his work on INCEPTION.
KICK ASS: Mattias Lindahl – VFX Supervisor – Double Negative
Coming from Sweden, Mattias Lindahl began his career at Lego, then he left for London where he worked at Jim Henson's Creature Shop and at Double Negative in 2001. After nearly 10 years at Double Negative, he returned to Sweden this year and works at Fido. In the following interview, he talks about his work on KICK ASS.
OCEANS: Arno Fouquet – VFX Supervisor – L’E.S.T.
Arno Fouquet and Christian Guillon from L'E.S.T. were responsible for general visual effects supervision on OCEANS, the new documentary feature by Jacques Perrin. The visual effects were dispatched between BUF, Mikros Image and Def2Shoot. In the following interview, Arno Fouquet talks about L'E.S.T. and his work on OCEANS.
GREEN ZONE: Charlie Noble – VFX Supervisor – Double Negative
Charlie Noble works in visual effects for over 15 years. He joined Double Negative at its beginnings in working on PITCH BLACK. He will participate by result in numerous projects from studios like ENEMY AT THE GATES, FLYBOYS or THE DARK KNIGHT. He has also supervised THE BOURNE ULTIMATUM directed by Paul Greengrass, that he meet again on GREEN ZONE.
SHERLOCK HOLMES: Jonathan Fawkner – VFX Supervisor – Framestore
Jonathan Fawkner talks with us in the following interview about his work on SHERLOCK HOLMES, he has done in parallel with AVATAR.
Note that Framestore received the VES AWARD for Outstanding Supporting Visual Effects in a Feature Motion Picture for SHERLOCK HOLMES.