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X-MEN FIRST CLASS: Vincent Cirelli – VFX Supervisor – Luma Pictures

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Vincent Cirelli and his brilliant team at Luma Pictures are back on The Art of VFX. After given life to the impressive Destroyer on THOR, Vincent discusses his work on the super-heroes of X-MEN FIRST CLASS.

X-MEN FIRST CLASS: Stephane Ceretti – Production VFX Supervisor

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After his great work on PRINCE OF PERSIA at MPC, Stephane Ceretti joined the team of Method Studios. He oversaw the shooting of the second unit for CAPTAIN AMERICA. Working with the VFX legend John Dykstra, Stephen talks about his work as supervisor on X-MEN FIRST CLASS.

X-MEN FIRST CLASS: Matt Johnson – VFX Supervisor – Cinesite

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After he had explained the impressive work of Cinesite on THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER, Matt Johnson is back on The Art of VFX. He talks about his work on X-MEN FIRST CLASS.

THOR: Vincent Cirelli – VFX Supervisor – Luma Pictures

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Vincent Cirelli and his team are back on The Art of VFX. This time, they talk about their work on THOR.

SOURCE CODE: Yanick Wilisky – VFX Supervisor VFX & Co-founder –...

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Yanick Wilisky worked nearly 10 years at Hybride where he participate in projects like SPY KIDS, 300 or SIN CITY. In 2007, he founded with Marc Bourbonnais, Modus FX. He supervised the effects of films as MR. NOBODY, BARNEY'S VERSION or THE AMERICAN.

PAUL: Jody Johnson – VFX Supervisor – Double Negative

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Jody Johnson went through all stages at Double Negative. She begins with roto and the compositing on STALINGRAD, STARDUST or SHAUN OF THE DEAD. Then compositing supervisor and finally VFX supervisor for movies like PENELOPE or BRIDGET JONES: THE EDGE OF REASON.

BATTLE LOS ANGELES: Ben Shepherd – VFX Supervisor – Cinesite

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Ben Shepherd works for over 10 years in visual effects, he participated in many projects such as BIG FISH, HARRY POTTER AND THE GOBLET OF FIRE, and TIM BURTON'S CORPSE BRIDE at MPC. In 2006, he joined Cinesite teams where he oversaw films such as X-MEN: THE LAST STAND, THE DAY THE EARTH STOOD STILL or 2 episodes of the TV series THE PRISONER.

BATTLE LOS ANGELES: Jeff Campbell – VFX Supervisor – Spin VFX

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After a first interview for LEGION, Jeff Campbell is back on The Art of VFX with a new movie for Spin VFX. In the following interview, he talks about his work on BATTLE LOS ANGELES.

TRUE GRIT: Vincent Cirelli – VFX Supervisor – Luma Pictures

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After talking about THE GREEN HORNET, Vincent Cirelli and his team are back. This time, they talk about their invisible work on the western TRUE GRIT.

HEREAFTER: Bryan Grill – VFX Supervisor – Scanline VFX

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Bryan Grill evolves in visual effects for over 20 years. After working for 14 years at Digital Domain starting as Flame operator to finish as a VFX supervisor, he oversaw such projects as THE GOLDEN COMPASS, PIRATES OF THE CARIBBEAN 3 or G.I. JOE. He joined the teams of Scanline VFX in 2010.