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WARCRAFT: Jeff White – VFX Supervisor – Industrial Light & Magic

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Jeff White explained to us about the work of ILM in 2012 on THE AVENGERS. Then he worked on TRANSFORMERS: AGE OF EXTINCTION. He explains in detail today his work on WARCRAFT.

WARCRAFT: Hal Hickel – Animation Supervisor – Industrial Light & Magic

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In 2013, Hal Hickel had explained in detail about the work of ILM on PACIFIC RIM. He then moved from the giant robots to...

INTERSTELLAR: Ian Hunter – Miniature VFX Supervisor & Co-founder – New...

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Ian Hunter is in the world of special effects for more than 25 years. He is one of the co-founder of New Deal Studios. He has worked on many films such as BATMAN RETURNS, PITCH BLACK, WAR OF THE WORLDS or THE DARK KNIGHT. He just won the Oscar and BAFTA for Best Visual Effects for INTERSTELLAR.

GODZILLA: Ferran Domenech – Animation Supervisor – MPC

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Ferran Domenech is in the VFX industry for over 14 years. In 2003, he joined MPC and he is still there. He has worked on several HARRY POTTER movies and supervised the animation for films such as PROMETHEUS, TOTAL RECALL, JACK THE GIANT SLAYER or THE LONE RANGER.

GODZILLA: Jim Rygiel – Production VFX Supervisor

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Jim Rygiel began his career in VFX in 1980 at Pacific Electric Pictures. Then he joined Boss Film Studios and worked on numerous films such as THE LAST STARFIGHTER, ALIEN 3, BATMAN RETURNS or STARSHIP TROOPERS. Lately, he took care of the effects for THE AMAZING SPIDER-MAN. He has won three Oscars for Best Visual Effects, one for each film of the LORD OF THE RINGS trilogy.

PACIFIC RIM: Miguel Lee – Creative Director – Imaginary Forces

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Miguel Lee worked for over 7 years in the motion design. As a freelance artist, he worked for several studios as Logan, Capacity or Imaginary Forces. In 2011, he joined the team of Imaginary Forces as Creative Director.

IRON MAN 3: Mark Bakowski – VFX Supervisor – Framestore

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Mark Bakowski began his career in visual effects more than 10 years ago. He worked for many studios such as Mill Film, Cinesite and Framestore. He has worked on films like V FOR VENDETTA, CHARLIE AND THE CHOCOLATE FACTORY, QUANTUM OF SOLACE or PRINCE OF PERSIA: SANDS OF TIME.

UNDERWORLD AWAKENING: Kaj Steveman, Creative Director & VFX Supervisor – Fido

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Kaj Steveman worked for over 30 years in the movie business. He started as a SFX makeup. There is 11 years old, he founded the studio Fido. Kaj has since overseen the effects of many films including FROSTBITTEN, LET THE RIGHT ONE IN or HOTELL GYLLENE KNORREN - FILMEN. In the following interview, he discusses his work on UNDERWORLD: AWAKENING.

WELCOME TO HOXFORD: Sirius Buisson – Production VFX Supervisor

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After working on the animated series POLLUX in 2007, Sirius Buisson joined the teams of Buf Compagnie where he worked on projects such as SPEED RACER, AVATAR or THOR. He was also on set VFX supervisor for ADÈLE BLANC-SEC. He has joined MPC to work on WRATH OF THE TITANS. In the following interview, he talks about his work as supervisor of the short film WELCOME TO HOXFORD.

TOY STORY 3: Simon Christen – 3D Animator – Pixar

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[lang_fr]Après ses études en Suisse, Simon Christen est venu en Californie pour étudier à l'Academy of Art University de San Francisco. Une fois diplômé, il a fait un premier travail chez Pixar puis ensuite chez Disney avant de retourner chez Pixar où il a travaillé depuis sur RATATOUILLE, UP et TOY STORY 3. Dans l'interview qui suit, il nous parle de son travail sur TOY STORY 3. Pour lire l'interview, cliquer ici. // Version originale: Anglais[/lang_fr][lang_en]After his studies in Switzerland, Simon Christen came to California to study at the Academy of Art University in San Francisco. After graduation, he took a first job at Pixar and then Disney before going back at Pixar, where he has worked since on RATATOUILLE, UP and TOY STORY 3. In the following interview, he talks to us about his work on TOY STORY 3. To read the interview, click here. // Original version: English.[/lang_en]