the oa season 2 - résultats de la recherche

Last year, Max Ivins had told us about the work of Look Effects on LIFE OF PI. He then worked on the third season of GAME OF THRONES. He speaks to us today about his work on MAN OF STEEL.

Paddy Eason has been evolving for over 20 years in VFX. He worked for many studios such as Framestore, MPC or Rainmaker and participated in projects like MISSION IMPOSSIBLE, BIG FISH, THE GOLDEN COMPASS or PRINCE OF PERSIA: THE SANDS OF TIME. In 2009, he founded Nvizible.

Adam Avitabile has explained to us the visual effects of Look Effects on the season finale of LOST. Then he worked on projects like LIMITLESS, FAST FIVE or THE MUPPETS.

Since he explained the effects of Tippett Studio on SEASON OF THE WITCH, Blair Clark worked on films like PRIEST and THE SMURFS.

Since my interview of Cédric Fayolle for GAINSBOURG, he has worked on over a dozen films including GARDIENS DE L'ORDRE, 2 DAYS IN NEW YORK or BELOVED. In the following interview, he talks about his passion of working with directors and the many challenges of RUST & BONE.

Sebastien Moreau began his career in visual effects over 15 years ago. He worked in several studios such as Hybride, Weta or ILM and participated in projects such as MIMIC, STAR WARS EPISODE II, WAR OF THE WORLDS or THE LORD OF THE RINGS: THE RETURN OF THE KING. In 2006, he founded Rodeo FX with Mathieu Raynault and oversee the effects of movies like TERMINATOR SALVATION, SOURCE CODE or RED TAILS. In the following interview, he explains his second collaboration with director Tarsem.

Jeff Campbell returned to The Art of VFX to tell us about Spin VFX work for UNDERWORLD AWAKENING. He is joined by George Macri, VFX Producer, and Ahmed Shehata, CG Supervisor. They explain in detail their work on this film.

Erik Nash began his career in 1979 on the film STAR TREK: THE MOTION PICTURE. He joined Digital Domain in 1995 and work on projects like APOLLO 13, TITANIC or KUNDUN. He then became VFX supervisor and take care of the effects of films like RED PLANET, I ROBOT, PIRATES OF THE CARIBBEAN: AT WORLD'S END. In the following interview, he talks about his work on REAL STEEL.

Rob Duncan has worked for nearly 15 years at Framestore. He has participated in projects like LOST IN SPACE, THE BEACH or STALINGRAD. As a VFX supervisor, he worked on films such as BLADE II, UNDERWORLD, AUSTRALIA or WHERE THE WILD THINGS ARE. In the following interview, he talks about his work on JOHNNY ENGLISH REBORN.

Petar Jovovic founded with several artists and friends, Crater Studio in 2005. He has since worked on films like TEARS FOR SALE, THE READER or THE OTHER GUYS. In the following interview, he talks about his work on SHARK NIGHT 3D.