the walk - résultats de la recherche

Two years ago, Matt Johnson had told us about the work of Cinesite on X-MEN FIRST CLASS. To talk about WORLD WAR Z, he is accompanied with Anthony Zwartouw (CG Supervisor) and Thomas Dyg (Environment Supervisor).

Just before Christmas 2012, Guillaume Rocheron had explained to us his work on LIFE OF PI. Now he talks about the visual effects of MPC on MAN OF STEEL.

During his last visit, Roger Guyett explained to us the work of ILM on COWBOYS & ALIENS. In 2013, he is back with director JJ Abrams on STAR TREK INTO DARKNESS. In addition to its Overall VFX Supervisor job position, he is the Second unit director as he was on the previous STAR TREK movie.

Christopher Townsend joined ILM in 1995. He stayed 11 years there and will work on projects such as CONGO, ARTIFICIAL INTELLIGENCE: AI, HULK and also the new STAR WARS trilogy. Since 2008, he is VFX supervisor and take care of movies such as JOURNEY TO THE CENTER OF THE EARTH, NINJA ASSASSIN or CAPTAIN AMERICA: THE FIRST AVENGER.

Kevin Baillie began working in the visual effects as previz artist on STAR WARS EPISODE 1. He joined The Orphanage in 2000 and have worked on numerous films such as HELLBOY, THE DAY AFTER TOMORROW or SIN CITY. He then worked at ImageMovers Digital on projects like A CHRISTMAS CAROL or March NEEDS MOMS. In 2010, he founded Atomic Fiction with Ryan Tudhope.

In 2012, Angela Barson told us about her work on SNOW WHITE AND THE HUNTSMAN. She's back to explain the work of BlueBolt on CLOUD ATLAS.

Florian Gellinger is in the visual effects for over 10 years. In 2007, he founded RISE with three friends and supervised numerous projects such as THIS IS LOVE, NINJA ASSASSIN or X-MEN: FIRST CLASS. In the following interview, he talks about his work on CLOUD ATLAS.

Paddy Eason has been evolving for over 20 years in VFX. He worked for many studios such as Framestore, MPC or Rainmaker and participated in projects like MISSION IMPOSSIBLE, BIG FISH, THE GOLDEN COMPASS or PRINCE OF PERSIA: THE SANDS OF TIME. In 2009, he founded Nvizible.

Since he explained the effects of Tippett Studio on SEASON OF THE WITCH, Blair Clark worked on films like PRIEST and THE SMURFS.

Ryan Tudhope worked for The Orphanage and ImageMovers Digital on projects like HELLBOY, SIN CITY, PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST or MARS NEEDS MOMS. In 2011, he founded Atomic Fiction with Kevin Baillie and supervises the effects of films like JACK AND JILL and UNDERWORLD AWAKENING.