the strain - résultats de la recherche

Rudy Grossmann has nearly 20 years of experience in the visual effects. He has worked in many studios such as Industrial Light & Magic, The Orphanage, Weta Digital or Digital Domain before joining Atomic Fiction in 2014. At Atomic Fiction, he has worked on different movies such as THE WALK, DEADPOOL or ALIEN: COVENANT.

Last year, François Dumoulin explained to us about the work of Rodeo FX on THE LEGEND OF TARZAN. He speaks to us today about his new collaboration with Luc Besson and the challenges encountered on VALERIAN.

In 2015, Sheldon Stopsack explained to us about the work of MPC on TERMINATOR GENISYS and then he worked on PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES. Today, he talks about his first collaboration with director Michael Bay for TRANSFORMERS: THE LAST KNIGHT.

In October 2016, Jelmer Boskma told us about the work of Scanline VFX on MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN. He speaks to us today about his return to the Marvel universe.

Eric Robinson explained to us about the Mr. X's work on CARRIE's remake in 2014. He then worked on projects such as POMPEII, THE STRAIN, BATES MOTEL and RIDE ALONG 2. He's back today in the universe of RESIDENT EVIL.

Last year, Francois Dumoulin talked to us about the work of Rodeo FX on FANTASTIC FOUR. He then worked on IN THE HEART OF THE SEA. After THE LEGEND OF TARZAN which he explains his work today, he is now working on VALERIAN AND THE CITY OF A THOUSAND PLANETS.

Nicolas Chevalier began his career in visual effects in 2001 at Buf Compagnie, he worked on many films such as BATMAN BEGINS, SILENT HILL or THOR. He moved two years in London at BlueBolt and then joined MPC in Montreal in 2014 for X-MEN: DAYS OF FUTURE PAST. In 2015, he comes to Cinesite to take care of the effects of THE REVENANT.

The team of BlueBolt composed of Angela Barson, Stuart Bullen (VFX Supervisors) & Cath Duncan (VFX Producer) talks about their work on THE MAN FROM U.N.C.L.E.

Erin Sarofsky started here career at Digital Kitchen in 2001. She has worked on titles such as MONA LISA SMILE, GHOST WHISPERER or STICK IT. In 2008, she founded her studio Sarofsky.

In 2012, Sue Rowe explained in details the work of Cinesite on JOHN CARTER. She then joined Method Studios in Vancouver and worked on ENDER'S GAME.