space between us - résultats de la recherche

In 2017, Pablo Helman explained to us the work of ILM on SILENCE. He talks to us today about his new collaboration with Martin Scorsese. Leandro Estebecoena has worked in visual effects for over 30 years. He joined ILM in 1996 and worked on films like TRANSFORMERS, IRON MAN, STAR TREK and RANGO. Nelson Sepulveda began his career in visual effects in 1994 at Cinesite. He then worked at Centroplois Entertainment and Weta Digital before joining ILM in 2004. His filmography includes films like RANGO, THE AVENGERS, WARCRAFT and KONG: SKULL ISLAND. Ivan Busquets started working in VFX in the early 2000s. He worked at Cinesite, MPC and ILM. His filmography includes films such as THE GOLDEN COMPASS, SUCKER PUNCH, ROGUE ONE: A STAR WARS STORY and BUMBLEBEE. Stephane Grabli joined ILM in 2008. He worked on films such as RANGO, TRANSFORMERS: AGE OF EXTINCTION, STAR WARS: THE FORCE AWAKENS and JURASSIC WORLD: FALLEN KINGDOM.

Daniele Bigi began his career in the visual effects in the early 2000s and worked in many studios such as Framestore and MPC before joining ILM in 2015. He worked on many films like PROMETHEUS, GUARDIANS OF THE GALAXY, DOCTOR STRANGE and READY PLAYER ONE. Steve Aplin started working at ILM in 1997 and then worked at DNEG in 2009 before returning to ILM in 2016. He worked on films like STAR WARS: EPISODE III - REVENGE OF THE SITH, TRANSFORMERS: REVENGE OF THE FALLEN, CAPTAIN AMERICA : CIVIL WAR and A QUIET PLACE.

Last year, Mike Brazelton explained the work of DNEG on DEADPOOL 2. In 2017, Stuart Lashley told us about DNEG's work on THOR: RAGNAROK. He then worked on BLACK PANTHER.

Julius Lechner began his career in visual effects a decade ago. He has worked in many studios such as Pixomondo, Industrial Light & Magic and Scanline VFX. He has worked on many films like IRON MAN 3, TEENAGE MUTANT NINJA TURTLES, JUSTICE LEAGUE and AQUAMAN.

Julian Foddy began his visual effects career in 2006 at DNEG. He works on films like GREEN ZONE, PAUL, FURIOUS 6 and HERCULES. He joined the ILM teams in 2015 and took care of the effects of films such as TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS, TRANSFORMERS: THE LAST KNIGHT, READY PLAYER ONE and SOLO: A STAR WARS STORY.

Last year Russell Earl explained to us the work of Industrial Light & Magic on AVENGERS: INFINITY WAR. He is back today with Dan Snape (VFX Supervisor), Kevin Martel (Animation Supervisor) and Abs Jahromi (Facial Technology Supervisor) to talk about AVENGERS: ENDGAME.

Last year, Craig Hammack explained the work of ILM on BLACK PANTHER and SKYSCRAPER. He talks to us today about CAPTAIN MARVEL.

The team of FuseFX, composed of Tommy Tran & Kevin Lingenfelser (VFX Supervisors) and Matt Von Brock (CG Supervisor), talk about their work on the Space Battle sequence for this episode of THE ORVILLE:

In 2016, Jeff White explained the work of ILM on WARCRAFT. He then worked on KONG: SKULL ISLAND. Cedric Lo began his career in visual effects in the early 2000s. He worked on many films such as TRANSFORMERS: DARK OF THE MOON, PACIFIC RIM, CAPTAIN AMERICA: CIVIL WAR and WARCRAFT.

In 2017, Mark Bakowski told us about ILM's work on LIFE. He then works on STAR WARS: THE LAST JEDI and SOLO: A STAR WARS STORY. He explains today his work of preparation and the shooting of OVERLORD.