prey - résultats de la recherche

Martin Hill began his career in VFX at Double Negative, where he worked on films like BELOW, THE CHRONICLES OF RIDDICK or BATMAN BEGINS. He then joined Weta Digital for KING KONG. He worked on many projects like ERAGON, AVATAR, RISE OF THE PLANET OF THE APES or THE ADVENTURES OF TINTIN.

Jeff White joined ILM almost 10 years ago and has participated on projects like VAN HELSING, STAR WARS EPISODE III, TRANSFORMERS: REVENGE OF THE FALLEN or TRANSFORMERS: DARK OF THE MOON. He received a VES Award for Outstanding Visual Effects in a Special Venue Project for TRANSFORMERS: THE RIDE 3D.

After working on the animated series POLLUX in 2007, Sirius Buisson joined the teams of Buf Compagnie where he worked on projects such as SPEED RACER, AVATAR or THOR. He was also on set VFX supervisor for ADÈLE BLANC-SEC. He has joined MPC to work on WRATH OF THE TITANS. In the following interview, he talks about his work as supervisor of the short film WELCOME TO HOXFORD.

Jesper Kjolsrud began his career on the film THE BORROWERS. After working 10 years in London with MPC and Double Negative on films such as PITCH BLACK, STALINGRAD, THE CHRONICLES OF RIDDICK or 10,000 BC. In 2009, Jesper joined teams Image Engine in Vancouver. He will work on the films DISTRICT 9, GREEN ZONE or THE LOSERS. In the following interview, he talks about his work on THE THING.

Little change of plans, Matthew Butler will finally not have time to answer my questions. Here is anyway a text about the impressive work of Matthew Butler and his team of Digital Domain on TRANSFORMERS: DARK OF THE MOON.

After explaining to us his work on THE PREY, Laurens Ehrmann of Plug Effects is back on The Art of VFX and tells us their contribution on X-MEN: FIRST CLASS.

After several years at London Computer Film Company, Adrian de Wet goes to California at ESC Entertainment to work on THE MATRIX RELOADED. Back in London, he worked for many studios such as Framestore, MPC and Double Negative, that he joined in 2007.

After banking studies in Switzerland, Simon Otto pass through Les Gobelins animation school before being hired by Dreamworks Animation. It was In 1997 and since Simon has not left Dreamworks and worked almost all projects in the studio as THE PRINCE OF EGYPT, SPIRIT, SINBAD, FLUSHED AWAY as a animator and lead animator. He recently completed HOW TO TRAIN YOUR DRAGON on which he was head of character animation.