prey - résultats de la recherche

In 2017, Guillaume Rocheron explained his work on GHOST IN THE SHELL. Today he tells us about his reunion with Godzilla for GODZILLA: KING OF THE MONSTERS.

In 2014, Simon Stanley-Clamp had explained to us the work of Cinesite on HERCULES. He then worked on many films such as ANT-MAN, THE REVENANT, CAPTAIN AMERICA: CIVIL WAR and ROBIN HOOD.

Earlier this year, Craig Hammack told us about the work of ILM on BLACK PANTHER. He talks to us today about his work and the challenges on SKYSCRAPER.

In 2014, Scott Farrar explained the ILM's work on TRANSFORMERS: AGE OF EXTINCTION. He then took care of the effects of films like SELMA, 13 HOURS and TRANSFORMERS: THE LAST KNIGHT. Last year, Rick O'Connor told us about the animation work on TRANSFORMERS: THE LAST KNIGHT.

Chris White began his visual effects career more than 23 years ago at Industrial Light & Magic. He has worked on films such as MARS ATTACKS!, THE LOST WORLD, JURASSIC PARK, THE PERFECT STORM and STAR WARS: EPISODE II - ATTACK OF THE CLONES. In 2003, he joined Weta Digital and worked on KING KONG, AVATAR, RISE OF THE PLANET OF THE APES and THE HOBBIT trilogy.

In 2016, Glenn Melenhorst explained the Iloura's work on the 6th season of GAME OF THRONES. He then worked on the 7th season and on OUTCAST and JOHN WICK: CHAPTER 2.

In 2014, Rick O'Connor explained to us about the ILM's work on TRANSFORMERS: AGE OF EXTINCTION. Now he talks to us about his new collaboration with director Michael Bay and the challenges on TRANSFORMERS: THE LAST KNIGHT.

Prior to joining Brainstorm Digital in 2010. Eran Dinur worked at Framestore and Industrial Light & Magic. At Brainstorm Digital, he took care of the effects of BOARDWALK EMPIRE, THE IMMIGRANT, THE WOLF OF WALL STREET, CAFE SOCIETY and NERVE. He has just released his book The Filmmaker's Guide to Visual Effects.

Jessica Norman began her career in visual effects in 2001 at MPC. She has worked on projects such as LARA CROFT: TOMB RAIDER, ALIEN VS PREDATOR, CORPSE BRIDE, many HARRY POTTER or NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN.

RESIDENT EVIL RETRIBUTION is the largest project made at Mr .X and they won't be too much of two to explain their work on the visual effects of this show. Eric Robinson is back on The Art of VFX after telling us his work on THE THREE MUSKETEERS and is accompanied by Ethan Lee.