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In the past year, Mohsen Mousavi explained the work of Scanline VFX on THE MEG. He is back today to tell us about his work on the final season of GAME OF THRONES.

Jean-Claude Deguara started his career in visual effects in 1995. He worked in many studios such as MPC and The Mill. In 2013, he co-founded Milk Visual Effects. As a VFX supervisor, he took care of the effects of projects like JONATHAN STRANGE & MR. NORRELL, BEOWULF: RETURN TO THE SHIELDLANDS and SHERLOCK. He talks to us today about his work on GOOD OMENS.

In 2014, Eric Saindon explained the work of Weta Digital on THE HOBBIT: THE DESOLATION OF SMAUG. He then took care of the effects of THE HOBBIT: THE BATTLE OF THE FIVE ARMIES, PETE'S DRAGON and A GHOST STORY. Mike Cozens told us about his work on THE HOBBIT: THE BATTLE OF THE FIVE ARMIES in 2015. He then worked on MAZE RUNNER: THE SCORCH TRIALS.

With over 25 years of experience, Josh Simmonds has worked on many films such as AUSTRALIA, DON'T BE AFRAID OF THE DARK, HAPPY FEET TWO and MAD MAX: FURY ROAD. As a VFX supervisor, he took care of the effects of films like THE BOY, UNDERWORLD: BLOOD WARS, A-X-L and THE BALLAD OF BUSTER SCRUGGS. Craig Wentworth started his career in visual effects in 1995. He has worked in many studios such as Weta Digital, Dreamworks Animation and Sony Pictures Imageworks before joining Method Studios in 2017. He has worked on many films like THE LORD OF THE RINGS: THE RETURN OF THE KING, WATCHMEN, EDGE OF TOMORROW and GUARDIANS OF THE GALAXY.

Bryan Hirota told us about the work of Scanline VFX on BATMAN V SUPERMAN: DAWN OF JUSTICE in 2016. He then worked on THE PROMISE and JUSTICE LEAGUE.

Sean Konrad began his career in visual effects in 2000. He worked in several studios like Prime Focus, Zoic Studios and MPC before joining Method Studios in 2016. He worked on films such as TRON: LEGACY, GODZILLA, GUARDIANS OF THE GALAXY and JUSTICE LEAGUE. John Likens began his career in motion design 10 years ago. He works in many agencies like Perception NYC, The Mill and Blind before joining Method Studios in 2014.

In 2014, Kelly Port explained to us the work of Digital Domain on MALEFICENT. He then worked on FREE STATE OF JONES and BEAUTY AND THE BEAST. He is back in the MCU with AVENGERS: INFINITY WAR.

At the end of last year, Florian Gellinger had explained the work of RISE on DOCTOR STRANGE. He talks to us today about his work on THE DARK TOWER, the adaptation of Stephen King's book.

Paul Lambert started his career at Cinesite in 1995 and then worked at Digital Domain before joining Double Negative in 2015. His filmography includes films such as THE CURIOUS CASE OF BENJAMIN BUTTON, TRON LEGACY, OBLIVION and THE HUNTSMAN: WINTER'S WAR.

Andrew Jackson has a long experience in visual effects. He has supervised numerous projects such as KNOWING, HAPPY FEET TWO and MAD MAX: FURY ROAD. He talks to us today about his collaboration with director Christopher Nolan for DUNKIRK.