life of pi - résultats de la recherche

In 2015, Marshall Krasser told us about Prime Focus World's work on MORTDECAI. He then worked at Psyop, CoSA VFX before joining FuseFX in 2018. He worked on many series such as THE MAN IN THE HIGH CASTLE, LUCIFER and THE 100.

Dan Charbit started his career in visual effects more than 20 years ago in France and has worked in many Parisian studios such as Mac Guff Ligne. In 2013, he moved to Montreal and worked for Rodeo FX, FOLKS and MPC before joining DNEG in 2018. As a VFX Supervisor, he took care of the effects for shows like SHADOWHUNTERS, CATCH-22 and ALTERED CARBON - Season 2. Barry Corcoran has been working in visual effects and motion graphics for over 10 years. He worked at Rushes and joined DNEG in 2018. He has worked on projects such as SPECTRE, DEADPOOL 2, VENOM and HOBBS & SHAW.

Oh yes! The beautiful paintings of Simon Stålenhag are coming to life in this first trailer of TALES FROM THE LOOP by Amazon Prime: The...

In 2017, Axel Bonami explained the work of MPC on GHOST IN THE SHELL. Today he takes us to the bottom of the oceans to talk about UNDERWATER.

Last year, Raymond Chen explained the work of DNEG on ALITA: BATTLE ANGEL. Today he talks to us about the Disney+ film, TOGO.

At the end of last year, Jeff White explained ILM's work on AQUAMAN. David Seager began his career in visual effects in the late 1990s. He worked in many studios such as Sony Pictures Imageworks, MPC and joined ILM in 2017. He has taken care of the effects for many films such as WATCHMEN, MALEFICENT, FURIOUS SEVEN and ALADDIN. In 2017, Alex Wang explained DNEG's work on THE FATE OF THE FURIOUS. He joins ILM in 2017 and works on JURASSIC WORLD: FALLEN KINGDOM. Scott Benza is working at ILM for 22 years. He has worked on films such as TRANSFORMERS, THE AVENGERS, KONG: SKULL ISLAND, BUMBLEBEE.

What is your background? Prior to working at Framestore I worked on the studio side in design, but I’ve worn a few hats over the...

Last year, Christian Kaestner explained Framestore's work on CAPTAIN MARVEL. He then joined THE AERONAUTS.

Eric Barba began his visual effects career more than 27 years ago. After working for nearly 20 years at Digital Domain, he joined ILM in 2016. He took care of the effects of films such as ZODIAC, TRON: LEGACY, OBLIVION and ONLY THE BRAVE. He won an Oscar for Best Visual Effects for THE CURIOUS CASE OF BENJAMIN BUTTON.

In 2011, Justin Ball explained the work of Brainstorm Digital on BOARDWALK EMPIRE. He then worked on projects such as THE ADJUSTMENT OFFICE, TRUE DETECTIVE, AMERICAN HORROR STORY and AMERICAN MADE.