white house down - résultats de la recherche

The Visual Effects Society have just announced the nominees of the 12th Annual VES Awards. Here are the first three categories: Outstanding Visual Effects in a...

Alain Lachance has over 20 years of experience in visual effects. He began as an artist Flame at Mokko Studio and worked on films like Silent Hill or THE FOUNTAIN. As VFX supervisor, he took care of the visual effects for films such as MR. MAGORIUM'S WONDER EMPORIUM, UNDERWORLD: AWAKENING or MIRROR MIRROR.

Since his last appearance on The Art of VFX where he told us about the VFX of Method Studios on J. EDGAR, Ollie Rankin worked on RED DAWN.

Stuart Lashley is back on The Art of VFX. He talked about MIRROR MIRROR, he explains now the Prime Focus work on THE LAST STAND.

Hugh Macdonald (VFX Supervisor), Paddy Eason (VFX Supervisor) and Martin Chamney (CG Supervisor) and two others founded the studio Nvizible in 2009. Nvizible worked on numerous projects as CLASH OF THE TITANS, PRINCE OF PERSIA: THE SANDS OF TIME, JOHN CARTER or GRABBERS.

When Michel Mielke joined Scanline in 2004, he first worked as a producer on such films as THE CHRONICLES OF NARNIA: PRINCE CASPIAN, 2012, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES or THE AVENGERS. In the following interview, he talks about his work as VFX Supervisor on LOOPER.

Jon Thum works in visual effects for over 20 years. He worked in London, Australia and the USA. He has participated in projects like DARK CITY, THE MATRIX, PITCH BLACK or TROY. He won an Oscar for Best Visual Effects for THE MATRIX.

David Simpson embarked on his journey in the realm of visual effects at Framestore back in 2008. Since then, he worked on Gravity, Fantastic...

Back in 2020, Doug Larmour offered insights into the visual effects process for The Alienist: Angel of Darkness. Subsequently, he contributed to the visual...

Back in 2015, Chris Harvey explained the visual effects work made by Image Engine for Child 44. Subsequently joining Oats Studios, he assumed the...