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DEADPOOL: VFX Breakdown by Atomic Fiction
Great VFX Breakdown by Atomic Fiction about their work on DEADPOOL: WANT TO KNOW MORE? Atomic Fiction: My interview of Ryan Tudhope, VFX Supervisor & Co-founder,...
DEADPOOL: Charlie Tait – VFX Supervisor – Weta Digital
Charlie Tait began his career in visual effects in 1996 at Cinesite. He worked on films like EVENT HORIZON, TOMORROW NEVER DIES, or LOST IN SPACE. He joined Weta Digital in 2000 and worked on the LORD OF THE RINGS trilogy. He participates in many projects of the studio like AVATAR, PROMETHEUS or IRON MAN 3.
DEADPOOL: Tim Miller (Director & Founder), Pauline Duvall (VFX Supervisor) &...
The team of Blur Studio composed of Tim Miller (Director & Founder), Pauline Duvall (VFX Supervisor) and Franck Balson (Previsualization Supervisor) talks about the various challenges faced on DEADPOOL.
DEADPOOL: Wayne Brinton – VFX Supervisor – Rodeo FX
In 2013, Wayne Brinton explained to us about the work of Modus FX on PARKER. he then worked on NOW YOU SEE ME and BEAUTY AND THE BEAST. Then he joined MPC to work on X-MEN: DAYS OF FUTURE PAST and CINDERELLA. In 2015, he joined Rodeo FX and worked on GAME OF THRONES and WARCRAFT.
DEADPOOL: Ryan Tudhope – Co-founder & VFX Supervisor – Atomic Fiction
In 2012, Ryan Tudhope explained to us in detail about the work of Atomic Fiction on LOOPER. He then take care of the visual effects of projects such as FLIGHT, THE LONE RANGER or GAME OF THRONES.
DEADPOOL: Making of about Digital Domain
Really cool making of by Wired about the VFX work of Digital Domain on DEADPOOL: WANT TO KNOW MORE? Alex Wang: My interview of Alex Wang,...
DEADPOOL: Alex Wang – VFX Supervisor – Digital Domain
Alex Wang started his career in the visual effects at The Orphanage on THE DAY AFTER TOMORROW. He worked on many projects before joining ImageMovers Digital for THE CHRISTMAS CAROL and MARS NEEDS MOMS. In 2010, Alex joined Digital Domain for TRON LEGACY and then worked on TRANFORMERS: DARK OF THE MOON, JACK THE GIANT SLAYER and FURIOUS 7.
DEADPOOL: Jonathan Rothbart – Production VFX Supervisor
Jonathan Rothbart began his career in VFX at Industrial Light & Magic in 1995. He worked on films like DRAGONHEART, MEN IN BLACK or STAR WARS: EPISODE I - THE PHANTOM MENACE. In 2000, he created the studio The Orphanage with Scott Stewart and Stu Maschwitz. He will oversee the effects of many films like HERO, HELLBOY, SIN CITY or IRON MAN. In 2010, The Orphanage is closed and Jonathan becomes production side VFX Supervisor and take care of the effects of LEGION, PRIEST and AFTER EARTH.
Many new VFX shots in this Super Bowl trailer for DEADPOOL: The VFX are made by: Digital Domain (VFX Supervisor : Alex Wang) Atomic Fiction (VFX Supervisor...
FAST & FURIOUS PRESENTS – HOBBS & SHAW: Mike Brazelton &...
Last year, Mike Brazelton explained the work of DNEG on DEADPOOL 2. In 2017, Stuart Lashley told us about DNEG's work on THOR: RAGNAROK. He then worked on BLACK PANTHER.