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Fantastic Beasts – The Secrets of Dumbledore: Christian Manz – Production...
Back in 2018, Christian Manz explained the visual effects work on Fantastic Beasts: The Crimes of Grindelwald. He's back today to tell us in...
The Batman: Julius Lechner – VFX Supervisor – Scanline VFX
Last year, Julius Lechner explained the visual effects work done by Scanline VFX on Zack Snyder's Justice League. He then worked on Eternals.
How did...
Eternals: Daniele Bigi (VFX Supervisor) with Peter Kyme (CG Supervisor), Mathieu...
In 2019, Daniele Bigi had explained ILM's work on Aladdin. He then worked on Star Wars: The Rise of Skywalker.
Peter Kyme started his career...
Eternals: Jelmer Boskma – VFX Supervisor – Scanline VFX
Back in 2018, Jelmer Boskma explained the work of Scanline VFX for Ant-Man and The Wasp. Today he's back for another Marvel Studios adventure.
How...
Foundation: Chris MacLean & Mike Enriquez – VFX Supervisors
In 2019, Chris MacLean had explained to us the visual effects work done by Mr. X on The Highwaymen. He then worked on Hellboy...
Loki: David Seager (VFX Supervisor), George Kuruvilla (CG Supervisor), Dan Mayer...
Back in 2020, David Seager explained ILM's work on Terminator: Dark Fate. He then worked on We Can Be Heroes. Today he tells us...
WandaVision: Tara DeMarco – Overall VFX Supervisor – Marvel Studios
Tara DeMarco has over 20 years experience in visual effects as a Flame artist. She worked for over 12 years at The Mill before...
Rose Island: Elisabetta Rocca & Stefano Leoni – VFX Supervisors –...
Elisabetta Rocca has been working at EDI Effetti Digitali Italiani for more than 6 years. She has worked on projects such as The Champion,...
UTOPIA: Wayne England – VFX Supervisor & 2nd Unit Director –...
Wayne England has been working in visual effects for over 25 years. He has worked on projects such as 2012, CASTLE ROCK, AMERICAN HORROR STORY and WATCHMEN.
PERRY MASON: Mitchell Drain – VFX Supervisor – Digital Domain
In 2012, Mitchell Drain explained the work of Method Studios on THIS MEANS WAR. He then joined Shade VFX in 2015 and Digital Domain in 2018. He has worked on projects such as KONG: SKULL ISLAND, DOWNSIZING, WESTWORLD and THE TWILIGHT ZONE.