Tom Wood - résultats de la recherche

Here are the nominees for Special Visual Effects for the BAFTA 2016: ANT-MAN: Jake Morrison, Greg Steele, Dan Sudick, Alex Wuttke EX MACHINA: Mark Ardington, Sara...

Nicholas Brooks have started his career in the VFX at Computer Film Company in London in 1989 and have worked on many various projects such as WHAT DREAMS MAY COME, BLADE II, NOW YOU SEE ME or LUCY.

Brand new trailer for the CREATURE DESIGNERS - THE FRANKENSTEIN COMPLEX documentary by Gilles Penso and Alexandre Poncet full of legendary guests: In 2011, Alexandre...

Here is the recap of my interviews of the week #22. So you won't miss any of them. MAD MAX FURY ROAD: Tom Wood -...

Final trailer for MAD MAX: FURY ROAD with many new VFX shots: The VFX are made by: Iloura (VFX Supervisor : Tom Wood) The Production VFX Supervisors...

Jay Randall is back on The Art of VFX after he had explained his work on IMMORTALS. This time, he tells us the challenges on this new collaboration with director Tarsem and its MIRROR MIRROR.

Sebastien Moreau began his career in visual effects over 15 years ago. He worked in several studios such as Hybride, Weta or ILM and participated in projects such as MIMIC, STAR WARS EPISODE II, WAR OF THE WORLDS or THE LORD OF THE RINGS: THE RETURN OF THE KING. In 2006, he founded Rodeo FX with Mathieu Raynault and oversee the effects of movies like TERMINATOR SALVATION, SOURCE CODE or RED TAILS. In the following interview, he explains his second collaboration with director Tarsem.

Martin Pelletier began his career in the VFX almost 10 years ago. Before joining the teams of Modus FX, Martin worked at Hybride and Buzz Image Group and participated in projects like ETERNAL SUNSHINE OF THE SPOTLESS MIND, SIN CITY or 300. At Modus, he oversaw the CG for project such as SUPER or SOURCE CODE. In the following interview, he discusses his work on MIRROR MIRROR.

Stuart Lashley began his career 10 years ago at MPC and works on projects such as TROY, SUNSHINE or WATCHMEN. In 2010, he joined Prime Focus teams. In the following interview, he discusses his work on MIRROR MIRROR.

After working several years at Mill Film on films such as BABE 2, GLADIATOR or LARA CROFT, Ben Morris joined Framestore in 2000 and participate on projects such as TROY, CHARLIE AND THE CHOCOLATE FACTORY and as visual effects supervisor on THE GOLDEN COMPASS and PRINCE OF PERSIA.