Tom Wood - résultats de la recherche
Si les résultats ne sont pas satisfaisants, veuillez effectuer une autre recherche
BATTLE LOS ANGELES: Jeff Campbell – VFX Supervisor – Spin VFX
After a first interview for LEGION, Jeff Campbell is back on The Art of VFX with a new movie for Spin VFX. In the following interview, he talks about his work on BATTLE LOS ANGELES.
THE GREEN HORNET: Jamie Dixon – VFX Supervisor & Co-founder –...
Jamie Dixon is a true pioneer in the world of visual effects. He was one of the first employees at Pacific Data Images in 1985. His wire removal on TERMINATOR 2 was one of the first and same thing about the morphing on the faces for the music video BLACK & WHITE of Michael Jackson. He founded Hammerhead in 1995, with Dan Chuba, Thad Beier and Rebecca Marie, and work on many films such as TRUE LIES, TITANIC, X-MEN, THE CHRONICLES OF RIDDICK or WANTED.
SCOTT PILGRIM VS THE WORLD: Frazer Churchill – VFX Supervisor –...
After several years of freelance work, Frazer Churchill joined Double Negative which is one of the founders. He participated in many projects such as PITCH BLACK, BELOW or ENEMY AT THE GATES. In 2001, he became supervisor and handles the visual effects of DOOM, SAHARA or CHILDREN OF MEN.
RESIDENT EVIL AFTERLIFE 3D: Ara Khanikian – Lead Compositing – Rodeo...
After we have talked about the visual effects of Rodeo FX on JONAH HEX, Ara Khanikian gave me a new interview to talk about RESIDENT EVIL : AFTERLIFE 3D.
TOY STORY 3: Simon Christen – 3D Animator – Pixar
[lang_fr]Après ses études en Suisse, Simon Christen est venu en Californie pour étudier à l'Academy of Art University de San Francisco. Une fois diplômé, il a fait un premier travail chez Pixar puis ensuite chez Disney avant de retourner chez Pixar où il a travaillé depuis sur RATATOUILLE, UP et TOY STORY 3.
Dans l'interview qui suit, il nous parle de son travail sur TOY STORY 3.
Pour lire l'interview, cliquer ici.
// Version originale: Anglais[/lang_fr][lang_en]After his studies in Switzerland, Simon Christen came to California to study at the Academy of Art University in San Francisco. After graduation, he took a first job at Pixar and then Disney before going back at Pixar, where he has worked since on RATATOUILLE, UP and TOY STORY 3.
In the following interview, he talks to us about his work on TOY STORY 3.
To read the interview, click here.
// Original version: English.[/lang_en] 
ROBIN HOOD: Richard Stammers – VFX Supervisor – The Moving Picture...
After starting his career in 1992 at Animal Logic, Richard Stammers joined MPC in 1995. He participates in many projects of the studio and work as vfx supervisor on such movies as WIMBLEDON, THE DA VINCI CODE and its sequel ANGELS & DEMONS or ELIZABETH: THE GOLDEN AGE. In the following interview, he talks about his work on ROBIN HOOD.
GREEN ZONE: Charlie Noble – VFX Supervisor – Double Negative
Charlie Noble works in visual effects for over 15 years. He joined Double Negative at its beginnings in working on PITCH BLACK. He will participate by result in numerous projects from studios like ENEMY AT THE GATES, FLYBOYS or THE DARK KNIGHT. He has also supervised THE BOURNE ULTIMATUM directed by Paul Greengrass, that he meet again on GREEN ZONE.
HARRY POTTER AND THE HALF-BLOOD PRINCE: Nicolas « Casquette » Aithadi – VFX...
Little back of few months with this interview of Nicolas Aithadi which talks about his work on HARRY POTTER AND THE HALF BLOOD PRINCE.
After a few years in the videogame (FINAL FANTASY X, TOMB RAIDER 5) and french movies (Vidocq, Asterix Mission Cleopatra) Nicolas Aithadi took on the Londonian Adventure and joined The Moving Picture Company and worked on such projects as TROY, ALEXANDER, CHARLIE AND THE CHOCOLATE FACTORY. He is now working on the next installment of the HARRY POTTER franchise.