Tim Miller - résultats de la recherche

Si les résultats ne sont pas satisfaisants, veuillez effectuer une autre recherche

TERMINATOR – DARK FATE: Making of about Blur Studio

Don't miss this making of by AMD featuring Director & Co-Founder Tim Miller and VFX Supervisor Dan Akers about the VFX work of Blur...


Action packed TV Spot for TERMINATOR - DARK FATE! The VFX and Previs are made by: Blur Studio Industrial Light & Magic (VFX Supervisors: Alex Wang &...

LOVE, DEATH & ROBOTS « LUCKY 13 »: Making Of by Sony Pictures...

Come have a look at the excellent work of Sony Pictures Imageworks on the episode LUCKY 13 directed by VFX Supervisor Jerome Chen for...

LOVE, DEATH & ROBOTS: Making of by Netflix

Be sure to watch these great making of released by Netflix about the creation of the episodes of LOVE, DEATH & ROBOTS: WANT TO KNOW...


Yes! LOVE, DEATH & ROBOTS, the animated anthology by Tim Miller and David Fincher is now streaming on Netflix! Release Date: 15 March 2019 (Netflix)...

Best of 2016 and the expectations for 2017

This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...

DEADPOOL: Charlie Tait – VFX Supervisor – Weta Digital

Charlie Tait began his career in visual effects in 1996 at Cinesite. He worked on films like EVENT HORIZON, TOMORROW NEVER DIES, or LOST IN SPACE. He joined Weta Digital in 2000 and worked on the LORD OF THE RINGS trilogy. He participates in many projects of the studio like AVATAR, PROMETHEUS or IRON MAN 3.

DEADPOOL: Wayne Brinton – VFX Supervisor – Rodeo FX

In 2013, Wayne Brinton explained to us about the work of Modus FX on PARKER. he then worked on NOW YOU SEE ME and BEAUTY AND THE BEAST. Then he joined MPC to work on X-MEN: DAYS OF FUTURE PAST and CINDERELLA. In 2015, he joined Rodeo FX and worked on GAME OF THRONES and WARCRAFT.

DEADPOOL: Ryan Tudhope – Co-founder & VFX Supervisor – Atomic Fiction

In 2012, Ryan Tudhope explained to us in detail about the work of Atomic Fiction on LOOPER. He then take care of the visual effects of projects such as FLIGHT, THE LONE RANGER or GAME OF THRONES.

DEADPOOL: Alex Wang – VFX Supervisor – Digital Domain

Alex Wang started his career in the visual effects at The Orphanage on THE DAY AFTER TOMORROW. He worked on many projects before joining ImageMovers Digital for THE CHRISTMAS CAROL and MARS NEEDS MOMS. In 2010, Alex joined Digital Domain for TRON LEGACY and then worked on TRANFORMERS: DARK OF THE MOON, JACK THE GIANT SLAYER and FURIOUS 7.