The Green Knight - résultats de la recherche

Charlie Noble works in visual effects for over 15 years. He joined Double Negative at its beginnings in working on PITCH BLACK. He will participate by result in numerous projects from studios like ENEMY AT THE GATES, FLYBOYS or THE DARK KNIGHT. He has also supervised THE BOURNE ULTIMATUM directed by Paul Greengrass, that he meet again on GREEN ZONE.

Sameer Malik started his career in visual effects in 2006 at Prime Focus. He then worked in many studios such as MPC, Mr. X,...

Back in 2017, Paul Lambert explained the work of DNEG on Blade Runner 2049. He then worked on First Man. Today he talks to...

Jim Mitchell began his career at Industrial Light & Magic on Terminator 2: Judgment Day! He went on to work on many of the...

Nathan McGuinness has over 20 years experience in visual effects. He founded the studio Asylum in 1999 where he has worked on films such...

Ciaran Crowley began his career in the visual effects more than 20 years ago at DNEG. He joined Milk Visual Effects in 2018. His filmography includes many films such as THE DARK KNIGHT, INCEPTION, THE ASH LAD: IN THE HALL OF THE MOUNTAIN KING, THE PROFESSOR AND THE MADMAN.

Julian Foddy began his visual effects career in 2006 at DNEG. He works on films like GREEN ZONE, PAUL, FURIOUS 6 and HERCULES. He joined the ILM teams in 2015 and took care of the effects of films such as TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS, TRANSFORMERS: THE LAST KNIGHT, READY PLAYER ONE and SOLO: A STAR WARS STORY.

In 2014, Scott Farrar explained the ILM's work on TRANSFORMERS: AGE OF EXTINCTION. He then took care of the effects of films like SELMA, 13 HOURS and TRANSFORMERS: THE LAST KNIGHT. Last year, Rick O'Connor told us about the animation work on TRANSFORMERS: THE LAST KNIGHT.

Jedediah Smith joined Atomic Fiction in 2013 to work on STAR TREK INTO DARKNESS as a compositing artist. He then works on many films such as THE WALK, DEADPOOL, ALLIED and BLADE RUNNER 2049.

Bryan Hirota had explained to us in detail in 2014 the work of Scanline VFX on 300: RISE OF AN EMPIRE. He then worked on IN THE HEART OF THE SEA. BATMAN V SUPERMAN marks his fourth collaboration with director Zack Snyder and VFX supervisor John DJ Des Jardin.