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THE LOST CITY OF Z: Eran Dinur – Overall VFX Supervisor...

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Prior to joining Brainstorm Digital in 2010. Eran Dinur worked at Framestore and Industrial Light & Magic. At Brainstorm Digital, he took care of the effects of BOARDWALK EMPIRE, THE IMMIGRANT, THE WOLF OF WALL STREET, CAFE SOCIETY and NERVE. He has just released his book The Filmmaker's Guide to Visual Effects.

15th Annual VES Awards: The nominees

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The Visual Effects Society have just announced the nominees for the 15th Annual VES Awards: Outstanding Visual Effects in a Photoreal Feature DOCTOR STRANGE...

ALICE THROUGH THE LOOKING GLASS: Jay Redd – VFX Supervisor –...

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Jay Redd started his career at Rhythm & Hues before joining Sony Pictures Imageworks in 1996 to work on CONTACT. As VFX supervisor, Jay took care of the effects of films like THE HAUNTED MANSION, MONSTER HOUSE or MEN IN BLACK 3.

THE WALK: Kevin Baillie – Overall VFX Supervisor – Atomic Fiction

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During his last visit, Kevin Baillie talked about the work of Atomic Fiction on STAR TREK INTO DARKNESS. He then worked on NEED FOR SPEED and TRANSFORMERS: AGE OF EXTINCTION. He then takes of the effects supervision of the new film by Robert Zemeckis, THE WALK and opens at this occasion an Atomic Fiction office in Montreal.

CAPTAIN AMERICA – THE WINTER SOLDIER: Russell Earl – VFX Supervisor...

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After working with Douglas Trumbull as traditional model maker, Russell Earl joined the teams of ILM in the beginning of the 90s. He worked on many projects such as DRAGONHEART, DEEP IMPACT, STAR WARS: EPISODE I - THE PHANTOM MENACE and MEN IN BLACK II. As VFX Supervisor, he took care of the effects for movies like TRANSFORMERS, RED TAILS, STAR TREK and SUPER 8.

PROMETHEUS: Charley Henley – VFX Supervisor – MPC

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Charley Henley began his career in VFX at Mill Film, including working on GLADIATOR. He then joined MPC and worked on numerous projects including LARA CROFT: TOMB RAIDER, 3 HARRY POTTER, 2 NARNIA but also ALIEN VS. PREDATOR, X-MEN: THE LAST STAND or DORIAN GRAY.

THE GREY: Christian Garcia – CG Supervisor – Digital Dimension

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Christian Garcia has worked on a various number of projects such as HEAVY METAL 2000, PINOCCHIO 3000 or the TV series CHARLIE JADE. Subsequently, he joined the teams of Digital Dimension where he will oversee the CG on films like RED CLIFF, THE PINK PANTHER 2 or THE SPIRIT. In the following interview, he talks about the CG wolves for THE GREY.

SEASON OF THE WITCH: Blair Clark – VFX Supervisor – Tippett...

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Blair Clark began his career on the film GREMLINS, then joined ILM, where he met Phil Tippett. He will work especially YOUNG SHERLOCK HOLMES, WILLOW or INDIANA JONES AND THE LAST CRUSADE. For nearly 25 years he worked at Tippett Studio, he oversees the effects of such films as BLADE 2, HELLBOY or SPIDERWICK CHRONICLES.

Damsel: Nigel Denton-Howes – Production VFX Supervisor

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In 2019, Nigel Denton-Howes detailed Framestore's involvement in Alita: Battle Angel before embarking on new ventures at ReDefine and Eyeline Studios. After working on...

Netflix to acquire Scanline VFX!

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Great news! Netflix have announced yesterday their plans to acquire the visual effects studio, Scanline VFX! Here is the press release: Bringing More VFX Magic to...