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DUNKIRK: Andrew Jackson – Overall VFX Supervisor – Double Negative
Andrew Jackson has a long experience in visual effects. He has supervised numerous projects such as KNOWING, HAPPY FEET TWO and MAD MAX: FURY ROAD. He talks to us today about his collaboration with director Christopher Nolan for DUNKIRK.
GHOST IN THE SHELL: Seth Hill – Digital Effects Supervisor –...
In 2016, Seth Hill explained to us about the work of Atomic Fiction on STAR TREK BEYOND. He then worked on ALLIED and ROGUE ONE.
WONDER WOMAN: Alex Wuttke – VFX Supervisor – Double Negative
In 2015, Alex Wuttke explained to us about the work of Double Negative on ANT-MAN. Then he worked on SPECTRE.
THE FATE OF THE FURIOUS: Kelvin McIlwain – Production VFX Supervisor
In 2016, Kelvin McIlwain explained to us about his work on CENTRAL INTELLIGENCE. Today, he talks about the new episode of the FAST & FURIOUS saga with his work on THE FATE OF THE FURIOUS.
THE GREAT WALL: Jay Mehta – VFX Supervisor – Base FX
Jay Mehta started his career at Rhythm & Hues in 2007, where he worked on projects such as THE GOLDEN COMPASS, THE INCREDIBLE HULK, SNOW WHITE AND THE HUNTSMAN and LIFE OF PI. He then joined Base FX in 2014 and worked on projects like AGENT CARTER, BLACK SAILS and EQUALS.
Best of 2016 and the expectations for 2017
This month of February marks a new year for The Art of VFX and is also the Awards season.
The last year was rich of...
ROGUE ONE – A STAR WARS STORY: John Knoll – Overall...
In 2013, John Knoll told us about his career and PACIFIC RIM. He then oversaw the effects of TOMORROWLAND before taking care of the new STAR WARS movies. Today he talks about his work on ROGUE ONE.
BATMAN V SUPERMAN – DAWN OF JUSTICE: Guillaume Rocheron – VFX...
In 2014, Guillaume Rocheron talked to us about the work of MPC on GODZILLA. He explains today about his work on BATMAN V SUPERMAN which is his third collaboration with director Zack Snyder and VFX Supervisor John DJ Des Jardin.
DEADPOOL: Jonathan Rothbart – Production VFX Supervisor
Jonathan Rothbart began his career in VFX at Industrial Light & Magic in 1995. He worked on films like DRAGONHEART, MEN IN BLACK or STAR WARS: EPISODE I - THE PHANTOM MENACE. In 2000, he created the studio The Orphanage with Scott Stewart and Stu Maschwitz. He will oversee the effects of many films like HERO, HELLBOY, SIN CITY or IRON MAN. In 2010, The Orphanage is closed and Jonathan becomes production side VFX Supervisor and take care of the effects of LEGION, PRIEST and AFTER EARTH.
THE HOBBIT – THE BATTLE OF THE FIVE ARMIES: Mike Cozens...
Before joining the team of Weta Digital in 2006, Mike Cozens worked at Hybride on projects such as SIN CITY or 300. At Weta Digital, he worked on AVATAR, RISE OF THE PLANET OF THE APES or the trilogy THE HOBBIT.