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Here is the complete list of the nominees for the 14th Annual VES Awards: Congratulations to everyone and good luck ;) Outstanding Visual Effects in a...

Ben Snow joined Industrial Light & Magic in 1994. He has worked on films such as TWISTER, JURASSIC PARK: THE LOST WORLD or THE MUMMY. He then became VFX Supervisor and take care of the visual effects of movies like STAR WARS EPISODE II - ATTACK OF THE CLONES, IRON MAN, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES or NOAH.

The Mill have released this excellent making of about their work on BINGLE "Chimpfall": CREDITS Agency Agency: The Monkeys Head of Production: Thea Carone CCO/Co-Founder: Justin Drape Creative Leads: Paul...

Impressive CG monkey by The Mill on the commercial "Chimpfall" for BINGLE (click on the picture below to watch it): CREDITS Agency Agency: The Monkeys Head of Production:...

Really nice trailer for A MOST VIOLENT YEAR: The VFX are made by: Look Effects (VFX Supervisor : Jeff Wozniak) Phosphene The Production VFX Supervisor is Mark Russell. Director:...

Westley Sarokin worked for 5 years as an Flame artist at a52. In 2005, he joined The Mill as Joint Head of 2D. In the following interview, he explains his work for the VFX supervision of the VIKINGS main title. He is, for it, accompanied by Danny Morris, Lead Flame Artist.

Neil Huxley has worked more than 5 years at Digital Pictures Iloura as Flame operator before coming to the United States where he worked as art director on movies such as GAMER or WATCHMEN at yU+co. It's him that create the beautiful opening title sequence of this show. In 2009, he joined Prime Focus. In the following interview, he talks about his work on AVATAR.

Daniel Leduc is a true pioneer in the visual effects in Canada, he founded with 3 other partners the company Hybride that has achieved the effects of many films such as the SPY KIDS trilogy, SIN CITY, 300 or JOURNEY TO THE CENTER OF THE EARTH. They just completed AVATAR.

Jonathan Fawkner is working since 10 year at Framestore. He has worked on the most biggest projects of the studio such as V FOR VENDETTA, THE GOLDEN COMPASS or THE DARK KNIGHT. In the following interview, he talks about the challenges encounter on AVATAR.

Mathilde Tollec entered at BUF in 2004. She became visual effects supervisor on the film RICKY and she has just ended the supervision of AVATAR.