the great wall - résultats de la recherche

A few months ago, Kevin Baillie explained the work of Atomic Fiction of Robert Zemeckis' FLIGHT, for which they won the Satellite Award for Best Visual Effects. This time he talks about his work for STAR TREK INTO DARKNESS.

A few months ago, Ara Khanikian explained to us the work of Rodeo FX on JACK THE GIANT SLAYER. Today he talks about the magical effects for NOW YOU SEE ME.

Last year, David Vickery explained the work of Double Negative on THE PIRATES! BAND OF MISFITS. This time he talks about crazy car chases, giant airplane and CG cars for FAST & FURIOUS 6.

Koen Vroeijenstijn worked in the video game at Guerrilla Games before coming to the U.S. and joining DreamWorks Animation. He worked on projects such as KUNG FU PANDA, MEGAMIND or RISE OF THE GUARDIANS. He then joined Image Engine to work on ELYSIUM.

During his last visit here, Bryan Grill had explained to us the work of Scanline VFX on HEREAFTER. He then worked on GULLIVER'S TRAVELS and THE AVENGERS.

Bjørn Mayer began his career in visual effects more than 10 years ago. He worked at Pixomondo on films such as RED BARON, 2012, RED TAILS or HUGO.

Bill George began his career in visual effects as a model maker in 1979 on STAR TREK: THE MOTION PICTURE. After completing his work on BLADE RUNNER, he joined ILM in 1981. He created models for many films such as STAR WARS: EPISODE IV - RETURN OF THE JEDI, INNERSPACE or GHOSTBUSTERS II. In 1997, he became a visual effects supervisor and take care of many films like GALAXY QUEST, HARRY POTTER AND THE CHAMBER OF SECRETS, EVAN ALMIGHTY or I AM NUMBER FOUR.

Two years ago, Dan Schrecker had explained his work on BLACK SWAN. He then oversaw the effects of films such as LIMITLESS, THE SITTER or MOONRISE KINGDOM. Accompanied by Matt Krentz, Digital Supervisor, he talks about the effects of WARM BODIES.

Dan Levitan began his career in visual effects at Cinesite Hollywood in 1994 and worked on films like WATERWORLD, GATTACA or PLEASANTVILLE. He then worked at Dream Quest Images, CIS Hollywood, Digital Dimension and Hammerhead. As VFX supervisor, he worked on movies such as SALT, THE HANGOVER PART II or FRIGHT NIGHT.

After explaining the visual effects of Image Engine on BATTLESHIP, Chris Harvey is back to talk about his work and his collaboration with Kathryn Bigelow on ZERO DARK THIRTY.