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WELCOME TO HOXFORD: Sirius Buisson – Production VFX Supervisor

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After working on the animated series POLLUX in 2007, Sirius Buisson joined the teams of Buf Compagnie where he worked on projects such as SPEED RACER, AVATAR or THOR. He was also on set VFX supervisor for ADÈLE BLANC-SEC. He has joined MPC to work on WRATH OF THE TITANS. In the following interview, he talks about his work as supervisor of the short film WELCOME TO HOXFORD.

THE THREE MUSKETEERS: Ara Khanikian – Lead Compositing – Rodeo FX

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Ara Khanikian is back for the third time on The Art of VFX. After telling us about his work on JONAH HEX and RESIDENT EVIL: AFTERLIFE 3D, he explains the work of Rodeo FX on THE THREE MUSKETEERS.

SPACE BATTLESHIP YAMATO: Takashi Yamazaki – Director & VFX Supervisor –...

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Takashi Yamazaki started his career in 1986 at Shirogumi as a model artist, then it will work as a VFX designer before becoming director. It will directs movies like JUVENILE, RETURNER or DEMON WARRIOR 3. He is the VFX supervisor for most of his films. In the following interview, he talks about his work on the space opera SPACE BATTLESHIP YAMATO.

JOHNNY ENGLISH REBORN: Rob Duncan – VFX Supervisor – Framestore

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Rob Duncan has worked for nearly 15 years at Framestore. He has participated in projects like LOST IN SPACE, THE BEACH or STALINGRAD. As a VFX supervisor, he worked on films such as BLADE II, UNDERWORLD, AUSTRALIA or WHERE THE WILD THINGS ARE. In the following interview, he talks about his work on JOHNNY ENGLISH REBORN.

THE THREE MUSKETEERS: Eric Robinson – Digital Effects Supervisor – Mr....

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After working several years at IMAX on projects such as BATMAN BEGINS, V FOR VENDETTA or 300, Eric Robinson joined the team of Mr. X in 2010. He will participate in such films as RESIDENT EVIL: AFTERLIFE and HANNA. In the following interview, he talks about his work on THE THREE MUSKETEERS.

DON’T BE AFRAID OF THE DARK: Glenn Melenhorst – VFX Supervisor...

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After working as an Cel animator, Glenn Melenhorst joined the team of Iloura's. He worked on films such as THE BANK JOB or CHARLOTTE'S WEB. Then he supervised the effects of AUSTRALIA, the TV series THE PACIFIC, PRIEST or KILLER ELITE. In the following interview, he talks about his work DO NOT BE AFRAID OF THE DARK.

CAPTAIN AMERICA – THE FIRST AVENGER: Charlie Noble – VFX Supervisor...

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After telling us about his work on GREEN ZONE, Charlie Noble returns to the Art of VFX with his team of Double Negative to explain in detail his work on CAPTAIN AMERICA.

HARRY POTTER AND THE DEATHLY HALLOWS PART 2: David Vickery –...

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David Vickery is working at Double Negative for nearly 10 years. He has participated in projects such as CHILDREN OF MEN, THE DARK KNIGHT or CLOVERFIELD. He oversaw films such as SHERLOCK HOLMES and HARRY POTTER AND THE DEATHLY HALLOWS PART 1.

TRANSFORMERS: DARK OF THE MOON – Digital Domain

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Little change of plans, Matthew Butler will finally not have time to answer my questions. Here is anyway a text about the impressive work of Matthew Butler and his team of Digital Domain on TRANSFORMERS: DARK OF THE MOON.

THOR: Eric Fernandes – CG Supervisor – Digital Domain

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Eric Fernandes has worked in many studios such as Industrial Light and Magic, Weta Digital or Dreamworks Animation and Digital Domain. He has worked on such films as STAR WARS EPISODE II: ATTACK OF THE CLONES, LORD OF THE RINGS: THE TWO TOWERS and RETURN OF THE KING but also on KUNG FU PANDA and AVATAR.