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Vincent Cirelli worked on many Marvel productions. In 2014, he talked to us about the Luma Pictures work on THOR: THE DARK WORLD. Then he worked on GUARDIANS OF THE GALAXY, AVENGERS: AGE OF ULTRON and ANT-MAN. He also oversaw the effects of IN THE HEART OF THE SEA and DEADPOOL.

Last year, Florian Gellinger had explained to us the work on Rise FX on THE MAN FROM U.N.C.L.E. He then worked on HITMAN: AGENT 47 and MANIFESTO. CAPTAIN AMERICA: THE CIVIL WAR is his second collaboration with the Russo brothers.

In 2014, Russell Earl had explained to us the work of ILM on CAPTAIN AMERICA: THE WINTER SOLDIER. He then worked on another Marvel movie, ANT-MAN. Today, he talks about his new collaboration with the Russo brothers on CAPTAIN AMERICA: CIVIL WAR.

Dan Deleeuw began his career in the visual effects in 1992 at Dream Quest Images and then joined the teams of Rhythm & Hues. He worked on many projects such as THE ROCK, REIGN OF FIRE, NIGHT AT THE MUSEUM or IRON MAN 3. CIVIL WAR is his second collaboration with the Russo brothers.

In 2013, Alessandro Cioffi talked in detail about the work of Trixter on IRON MAN 3. He then worked on films such as WHITE HOUSE DOWN and PIXELS but especially on many Marvel films like CAPTAIN AMERICA: WINTER SOLDIER, AVENGERS: AGE OF ULTRON and ANT-MAN.

Jonathan Rothbart began his career in VFX at Industrial Light & Magic in 1995. He worked on films like DRAGONHEART, MEN IN BLACK or STAR WARS: EPISODE I - THE PHANTOM MENACE. In 2000, he created the studio The Orphanage with Scott Stewart and Stu Maschwitz. He will oversee the effects of many films like HERO, HELLBOY, SIN CITY or IRON MAN. In 2010, The Orphanage is closed and Jonathan becomes production side VFX Supervisor and take care of the effects of LEGION, PRIEST and AFTER EARTH.

Nicolas Chevalier began his career in visual effects in 2001 at Buf Compagnie, he worked on many films such as BATMAN BEGINS, SILENT HILL or THOR. He moved two years in London at BlueBolt and then joined MPC in Montreal in 2014 for X-MEN: DAYS OF FUTURE PAST. In 2015, he comes to Cinesite to take care of the effects of THE REVENANT.

In 2013, Mark Bakowski talked to us about the visual effects of Framestore on IRON MAN 3. He then worked on films like GRAVITY and JUPITER ASCENDING. He then joined ILM London to work on AVENGERS: AGE OF ULTRON. SPECTRE is his third James Bond film.

Earlier this year, Glenn Melenhorst explained to us the work of Iloura on THE SPONGEBOB MOVIE: SPONGE OUT OF WATER. He now talks about his new collaboration with director Seth MacFarlane and VFX Supervisor Blair Clark for the return of TED.

Here is the recap of my interviews of the week #32. So you won't miss any of them. TERMINATOR GENISYS: Pete Bebb - VFX Supervisor...