star wars visions - résultats de la recherche

Bjørn Mayer began his career in visual effects more than 10 years ago. He worked at Pixomondo on films such as RED BARON, 2012, RED TAILS or HUGO.

Boris Schmidt joined Pixomondo in 1999 and worked on many projects such as 2012, THE LAST AIRBENDER or SUCKER PUNCH. For RED TAILS, he will be VFX Supervisor as well as for THE AMAZING SPIDER-MAN. He talks about the challenges faced on this show and the collaboration with Sony Pictures Imageworks.

Greg Liegey begins his career in Visual Effects in 1992 at Cinesite L.A. where he worked on such films as UNDER SIEGE 2, CONTACT or SPACE JAM. Then he worked as freelance at Sony Imageworks and ILM. In 2002 he joined the team of CIS Hollywood (now Method Studios) and work on films like MATRIX REVOLUTIONS and CONSTANTINE. As a VFX supervisor, he has worked on films like THE MUMMY: TOMB OF THE DRAGON EMPEROR, I AM LEGEND or FAST AND FURIOUS 4.

J. John Corbett has worked on a impressive number of main titles for TV series such as LIFE IS WILD or 30 ROCK and also for movies like INTOLERABLE CRUELTY, THE DEVIL WEARS PRADA or NO COUNTRY FOR OLD MEN. He received a VES Award for BOARDWALK EMPIRE and was nominated for a Prime Time Emmy for the title sequence of ANGELS IN AMERICA.

After several years of freelance work, Frazer Churchill joined Double Negative which is one of the founders. He participated in many projects such as PITCH BLACK, BELOW or ENEMY AT THE GATES. In 2001, he became supervisor and handles the visual effects of DOOM, SAHARA or CHILDREN OF MEN.