call of wild - résultats de la recherche

In 2013, Lindy DeQuattro explained the work of ILM on PACIFIC RIM. She then worked on DOWNSIZING.

In 2017, Tom Proctor explained the work of DNEG on A CURE FOR WELLNESS. He then worked on JUSTICE LEAGUE. He talks to us today about his work on FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD, his first participation on a film from the Harry Potter universe.

In 2016, Tim Burke and Christian Manz told us in detail about their work on FANTASTIC BEASTS AND WHERE TO FIND THEM. They are now back to tell us more about THE CRIMES OF GRINDELWALD.

Last year, François Dumoulin explained to us about the work of Rodeo FX on THE LEGEND OF TARZAN. He speaks to us today about his new collaboration with Luc Besson and the challenges encountered on VALERIAN.

In 2013, Scott Stokdyk told us about the work of Sony Pictures Imageworks on OZ THE GREAT AND POWERFUL. He then took care of the visual effects of THE 5TH WAVE. Sophie Leclerc started her career in the visual effects at Tippett Studio. She has produced the visual effects of many films such as THE A-TEAM, FAST FIVE and UPSIDE DOWN. VALERIAN is her second collaboration with Luc Besson after LUCY.

Simone Kraus has more than 18 years of experience in animation and visual effects. She is the co-owner of Trixter and has worked on a large number of projects such as CLOUD ATLAS, THE AVENGERS, IRON MAN 3 and the CAPTAIN AMERICA trilogy. She is at the head of the Los Angeles office of Trixter. In 2016, Alessandro Cioffi told us about the Trixter's work on CAPTAIN AMERICA: CIVIL WAR. With Simone, they explains their work on the GUARDIANS OF THE GALAXY sequel.

In 2013, Guy Williams explained to us about Weta Digital's work on THE HUNGER GAMES: CATCHING FIRE. Today he talks about his new collaboration with VFX supervisor Christopher Townsend, this time for GUARDIANS OF THE GALAXY VOL 2.

In 2012, Jay Barton explained to us the work of Digital Domain on ROCK OF AGES. He then worked on 47 RONIN, INTO THE STORM and FURIOUS SEVEN. Nikos Kalaitzidis began his career at Digital Domain in 1995. He has worked on numerous projects such as TITANIC, THE CURIOUS CASE OF BENJAMIN CUTTON, TRON LEGACY, 47 RONIN and X-MEN: DAYS OF FUTURE PAST.

In 2013, Alex Pejic explained the work of Prime Focus on WHITE HOUSE DOWN. He then worked on HERCULES before joining Framestore in 2014. Kevin Spruce has worked at Framestore for over 15 years. His credits include THE CHRONICLES OF NARNIA: PRINCE CASPIAN, AUSTRALIA, WHERE THE WILD THINGS ARE and GUARDIANS OF THE GALAXY.

In 2013, Glenn Melenhorst had explained to us about his work on THE WOLVERINE. He then take care of the effects for the documentary DEEPSEA CHALLENGE 3D. Now he talks about the Iloura's work on THE SPONGEBOB MOVIE: SPONGE OUT OF WATER.