The Family Plan - résultats de la recherche

Last year, Chris Lawrence explained the visual effects work on The Midnight Sky. Now he's back to tell us about Framestore's work on the...

Back in 2018, Will Reichelt explained in detail Animal Logic's work on Peter Rabbit. He's back today to tell us about the film's sequel. Simon...

In 2019, Marcus Taormina told us about his work on Bird Box. He then took care of the visual effects for The Tax Collector....

Andrew Scrase started his career in visual effects in 2007 at DNEG. He then worked at One of Us before joining Framestore in 2019. He has worked on various shows including KICK-ASS, INTERSTELLAR, PACIFIC RIM: UPRISING and ALADDIN. Standish Millennas began working in VFX in 2007 at Machine. She then joined Prime Focus and One of Us then Framestore in 2019. She has worked on projects such as ROBIN HOOD, THE EAGLE, THE OA and TOLKIEN.

Last year Stephan Fleet explained to us in detail his work on the first season of THE BOYS. He is back today to tell us about the new season and its challenges.

In 2019, Everett Burrell had explained to us his work on the 1st season of THE UMBRELLA ACADEMY. He is back today to tell us about the new season of this particular family.

In 2018, Sara Bennett explained the work of Milk Visual Effects on ADRIFT. She comes back today to tell us about her work as...

In 2016, Aleksandar Pejic explained the work of Framestore on THE LEGEND OF TARZAN. He then joined Cinesite and worked on AVENGERS: INFINITY WAR and ROBIN HOOD.

Julian Parry began his film career as a special effects technician in the early 1980s. He began working in visual effects in 1990 at Rushes Post Production and works on a large number of projects such as SEVEN WONDERS OF THE INDUSTRIAL WORLD, CAMELOT, TITANIC: BLOOD AND STEEL and VIKINGS.

In 2013, Lindy DeQuattro explained the work of ILM on PACIFIC RIM. She then worked on DOWNSIZING.