The Eight Hundred - résultats de la recherche

Back in 2018, Christian Manz explained the visual effects work on Fantastic Beasts: The Crimes of Grindelwald. He's back today to tell us in...

Back in 2020, David Sewell explained the work of DNEG on the Cursed series. He's back to talk about another series and MPC's work. Oliver...

In 2019, Marcus Taormina told us about his work on Bird Box. He then took care of the visual effects for The Tax Collector....

The Visual Effects Society has announced yesterday the nominations for the 19th Annual VES Awards! Congratulations and good luck to everyone! Outstanding Visual Effects in...

In 2019, Simon Stanley-Clamp explained Cinesite's work on Avengers: Endgame. He then completely changed of universe with the Netflix's fantasy series, Fate: The Winx...

In 2019, Martin Hill explained to us the work of Weta Digital on the final season of GAME OF THRONES. Today he talks to us with Nick Stein (Animation Supervisor), Thrain Shadbolt, Philip Leonhardt (VFX Supervisors) about their work on Netflix's tale, THE CHRISTMAS CHRONICLES 2.

Andrew Scrase started his career in visual effects in 2007 at DNEG. He then worked at One of Us before joining Framestore in 2019. He has worked on various shows including KICK-ASS, INTERSTELLAR, PACIFIC RIM: UPRISING and ALADDIN. Standish Millennas began working in VFX in 2007 at Machine. She then joined Prime Focus and One of Us then Framestore in 2019. She has worked on projects such as ROBIN HOOD, THE EAGLE, THE OA and TOLKIEN.

Doug Larmour began his career in visual effects in 1999 at MPC. He has also worked at Weta Digital and One of Us. He has worked on a number of films including PROMETHEUS, GUARDIANS OF THE GALAXY, THE JUNGLE BOOK and VENOM.

What is your background? Prior to working at Framestore I worked on the studio side in design, but I’ve worn a few hats over the...

In 2017, Pablo Helman explained to us the work of ILM on SILENCE. He talks to us today about his new collaboration with Martin Scorsese. Leandro Estebecoena has worked in visual effects for over 30 years. He joined ILM in 1996 and worked on films like TRANSFORMERS, IRON MAN, STAR TREK and RANGO. Nelson Sepulveda began his career in visual effects in 1994 at Cinesite. He then worked at Centroplois Entertainment and Weta Digital before joining ILM in 2004. His filmography includes films like RANGO, THE AVENGERS, WARCRAFT and KONG: SKULL ISLAND. Ivan Busquets started working in VFX in the early 2000s. He worked at Cinesite, MPC and ILM. His filmography includes films such as THE GOLDEN COMPASS, SUCKER PUNCH, ROGUE ONE: A STAR WARS STORY and BUMBLEBEE. Stephane Grabli joined ILM in 2008. He worked on films such as RANGO, TRANSFORMERS: AGE OF EXTINCTION, STAR WARS: THE FORCE AWAKENS and JURASSIC WORLD: FALLEN KINGDOM.