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THE LONE RANGER: Henry Hobson – Creative Director – Bootmaker Films
After explaining his work on the main titles for SNOW WHITE AND THE HUNTSMAN, Henry Hobson worked on the titles for the video game THE LAST OF US and started his studio Bootmaker Films. He is also preparing his first feature film.
Imaging the Future 2013
Since many years, The Art of VFX is media partner of Imaging the Future.
The conferences will take place on the 9th and 10th July...
LOST IN SPACE – Season 2: Jabbar Raisani (Overall VFX Supervisor)...
Jabbar Raisani has been working in visual effects for over 17 years. He has worked on projects such as FANTASTIC FOUR, PREDATORS, MACHETE and GAME OF THRONES.
Terron Pratt began his career in VFX in 2003 at Digiscope. He has worked on numerous projects such as PUSHING DAISIES, SNOW WHITE AND THE HUNTSMAN, 300: RISE OF AN EMPIRE and BLACK SAILS.
300 – RISE OF AN EMPIRE: Danielle Plantec & Bryan Hirota...
In 2011, Danielle Plantec had detailed to us the work of Scanline VFX on IMMORTALS. She then worked on films such as IRON MAN 3 MAN OF STEEL or THE WOLF OF WALL STREET. In 2012, Byan Hirota talked about his work on SNOW WHITE AND THE HUNTSMAN at Pixomondo. He has moved then to Scanline VFX. Today, they explain in detail their work on the sequel of 300.
CLOUD ATLAS: Angela Barson – VFX Supervisor – BlueBolt
In 2012, Angela Barson told us about her work on SNOW WHITE AND THE HUNTSMAN. She's back to explain the work of BlueBolt on CLOUD ATLAS.
Bob Marley – One Love: Roni Rodrigues – Production VFX Supervisor...
Coming from Brazil, Roni Rodrigues launched his visual effects career in 2011 at BlueBolt, where he quickly made his mark on shows such as...
AQUAMAN: Kelvin McIlwain – Overall VFX Supervisor
In 2017, Kelvin McIlwain explained his work on THE FATE OF THE FURIOUS. He talks to us today about the many challenges on AQUAMAN.