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The Art of VFX celebrates its 1st birthday!
[lang_fr]Bonjour à tous,
Ce mardi marque le 1er anniversaire de The Art of VFX !
Je tenais à tous vous remercier de me lire chaque semaine et à être si nombreux à suivre mes interviews.
Vous êtes plusieurs centaines à venir chaque semaine de plus de 80 pays différents.
Je suis vraiment touché de vous savoir si nombreux à apprécier mon travail !
J'ai l'immense plaisir de vous faire partager les messages reçus à cette occasion.
Pour lire ces commentaires, cliquez ici[/lang_fr][lang_en]Hello everyone,
This Tuesday marks the first anniversary of The Art of VFX!
I wanted to thank you all for reading me every week and to be so many to follow my interviews.
You are several hundred to come every week from more than 80 countries.
I am truly touched that you are so many to appreciate my work!
I am pleased to share the messages I've received for this event.
To read those comments, click here[/lang_en] 
MAD MAX FURY ROAD: Tom Wood – VFX Supervisor – Iloura
Tom Wood began working in the visual effects as an animator at Cinesite on films like EVENT HORIZON and LOST IN SPACE. He then worked many years at MPC on films such as ENEMY AT THE GATES, HARRY POTTER AND THE CHAMBER OF SECRETS, KINGDOM OF HEAVEN or SUNSHINE. He then became independent and take care of the effects of movies like PRINCE OF PERSIA: THE SANDS OF TIME or MIRROR MIRROR.
CAPTAIN PHILLIPS: Adam Rowland – VFX Supervisor – Nvizible
Adam Rowland works in visual effects for over 8 years. He has participated in many TV series like DR WHO or GENERATION KILLS and also on several movies such as PRINCE OF PERSIA: THE SANDS OF TIME, 28 WEEKS LATER or SKYFALL.
IRON MAN 3: Mark Bakowski – VFX Supervisor – Framestore
Mark Bakowski began his career in visual effects more than 10 years ago. He worked for many studios such as Mill Film, Cinesite and Framestore. He has worked on films like V FOR VENDETTA, CHARLIE AND THE CHOCOLATE FACTORY, QUANTUM OF SOLACE or PRINCE OF PERSIA: SANDS OF TIME.
GRABBERS: Paddy Eason – VFX Supervisor – Nvizible
Paddy Eason has been evolving for over 20 years in VFX. He worked for many studios such as Framestore, MPC or Rainmaker and participated in projects like MISSION IMPOSSIBLE, BIG FISH, THE GOLDEN COMPASS or PRINCE OF PERSIA: THE SANDS OF TIME. In 2009, he founded Nvizible.
SKYFALL: Hugh Macdonald (VFX Supervisor), Paddy Eason (VFX Supervisor) and Martin...
Hugh Macdonald (VFX Supervisor), Paddy Eason (VFX Supervisor) and Martin Chamney (CG Supervisor) and two others founded the studio Nvizible in 2009. Nvizible worked on numerous projects as CLASH OF THE TITANS, PRINCE OF PERSIA: THE SANDS OF TIME, JOHN CARTER or GRABBERS.
JOHN CARTER: Sue Rowe – VFX Supervisor – Cinesite
In 2010, Sue Rowe had told us about his work on PRINCE OF PERSIA. She then moved on the most ambitious project to date at Cinesite: JOHN CARTER. In the following interview, Sue presents in detail her work of more than two years on this film.
CAPTAIN AMERICA – THE FIRST AVENGER: Stephane Ceretti – 2nd Unit...
Stephane Ceretti is back on The Art of VFX. After PRINCE OF PERSIA and X-MEN FIRST CLASS, he talks to us about his work on set on CAPTAIN AMERICA.
X-MEN FIRST CLASS: Stephane Ceretti – Production VFX Supervisor
After his great work on PRINCE OF PERSIA at MPC, Stephane Ceretti joined the team of Method Studios. He oversaw the shooting of the second unit for CAPTAIN AMERICA. Working with the VFX legend John Dykstra, Stephen talks about his work as supervisor on X-MEN FIRST CLASS.
Enola Holmes 2: Michael Ellis – Production VFX Supervisor
In 2010, Michael Ellis explained the work made by DNEG on Prince of Persia. Then he worked on many shows such as The Bourne...