Poor Things - résultats de la recherche

Aladino Debert is working at Digital Domain for over 13 years. His filmography contains projects like Black Sails, A Series of Unfortunate Events, Lost...

Jesse James Chisholm began his career in visual effects in 1997 at Digital Domain. After working there for over 19 years, he joined Marvel...

Last year, Richard Hoover explained the visual effects work on 6 Underground. Today he comes back to talk about his new show, Red Notice. How...

Back in 2018, Will Reichelt explained in detail Animal Logic's work on Peter Rabbit. He's back today to tell us about the film's sequel. Simon...

Back in 2016, Jay Redd explained in detail the work of Sony Pictures Imageworks on Alice Through the Looking Glass. He then worked at...

Eric Leven started his career in visual effects in 1996 at Tippett Studio and worked on Starship Troopers. He has worked on a number...

Dan Charbit started his career in visual effects more than 20 years ago in France and has worked in many Parisian studios such as Mac Guff Ligne. In 2013, he moved to Montreal and worked for Rodeo FX, FOLKS and MPC before joining DNEG in 2018. As a VFX Supervisor, he took care of the effects for shows like SHADOWHUNTERS, CATCH-22 and ALTERED CARBON - Season 2. Barry Corcoran has been working in visual effects and motion graphics for over 10 years. He worked at Rushes and joined DNEG in 2018. He has worked on projects such as SPECTRE, DEADPOOL 2, VENOM and HOBBS & SHAW.

Stephan Fleet began his visual effects career in 2008 on the TV series KNIGHT RIDER. Has Visual Effects Supervised on many shows including UNDER THE DOME, TIMELESS, and IRON FIST.

Elliot Newman began his career in visual effects in 2002 and joined MPC in 2004. He worked on many films such as PROMETHEUS, WORLD WAR Z, 300: RISE OF AN EMPIRE and THE JUNGLE BOOK.

The team of Weta Digital (composed of VFX Supervisors Ken McGaugh, Kevin Smith, Luke Millar and Animation Supervisor Dennis Yoo) talk in detail about their work and the challenges on MORTAL ENGINES.