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The Art of VFX celebrates its 1st birthday!

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[lang_fr]Bonjour à tous, Ce mardi marque le 1er anniversaire de The Art of VFX ! Je tenais à tous vous remercier de me lire chaque semaine et à être si nombreux à suivre mes interviews. Vous êtes plusieurs centaines à venir chaque semaine de plus de 80 pays différents. Je suis vraiment touché de vous savoir si nombreux à apprécier mon travail ! J'ai l'immense plaisir de vous faire partager les messages reçus à cette occasion. Pour lire ces commentaires, cliquez ici[/lang_fr][lang_en]Hello everyone, This Tuesday marks the first anniversary of The Art of VFX! I wanted to thank you all for reading me every week and to be so many to follow my interviews. You are several hundred to come every week from more than 80 countries. I am truly touched that you are so many to appreciate my work! I am pleased to share the messages I've received for this event. To read those comments, click here[/lang_en]

THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER –...

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Adam Valdez began his career at Tippett Studio in 1990 where he worked on great projects such as JURASSIC PARK or STARSHIP TROOPERS. After a transit at PDI, he joined the team at Weta Digital working on the first two LORD OF THE RINGS. In 2004, he moved to London and worked since then at MPC.

LOST Final Season: Adam Avitabile – VFX Supervisor – Look Effects

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Adam Avitabile worked for over 10 years at Look Effects. He has participated in numerous TV series as MALCOLM IN THE MIDDLE, ARRESTED DEVELOPMENT, PUSHING DAISIES or LOST. His career also has a lot of movies like ROCKY BALBOA, APOCALYPTO, LITTLE MISS SUNSHINE or THE WRESTLER.

INCEPTION: Paul Franklin – VFX Supervisor – Double Negative

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After beginning his career at Digital Film and MPC, Paul Franklin helps to the creation of the studio Double Negative in 1998. Since then he has supervised projects such as THE LEAGUE OF EXTRAORDINARY GENTLEMEN and HARRY POTTER AND THE ORDER OF THE PHOENIX and has supervised all the movies of Christopher Nolan since BATMAN BEGINS. In the following interview, he talks to us about his work on INCEPTION.

KICK ASS: Mattias Lindahl – VFX Supervisor – Double Negative

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Coming from Sweden, Mattias Lindahl began his career at Lego, then he left for London where he worked at Jim Henson's Creature Shop and at Double Negative in 2001. After nearly 10 years at Double Negative, he returned to Sweden this year and works at Fido. In the following interview, he talks about his work on KICK ASS.