kick ass - résultats de la recherche

Georges Tornero is evolving in the visual effects since almost 15 years. He has worked for many studios such as Duboi, Modus FX, Rodeo FX or CGEV. He has participated on many projects like Asterix & Obelix : Mission Cleopatre, Le fabuleux destin d'Amelie Poulain, Alexander or Jane Eyre.

Ajoy Mani is back on The Art of VFX. After explaining the effects of Worldwide FX on CONAN THE BARBARIAN, he tells us about his work on THE EXPENDABLES 2 and its many challenges.

Sean Farrow worked for over 10 years in VFX. He participated in many movie projects as BATMAN BEGINS, ANGELS & DEMONS, JANE EYRE or IRONCLAD and also on TV shows like BAND OF BROTHERS, ROME or MISFITS.

For over 14 years, Rudi Holzapfel worked in many studios such as Framestore, Double Negative, MPC, Rising Sun Pictures and recently Baseblack. He has participated in numerous projects such as PITCH BLACK, TROY, BATMAN BEGINS, AVATAR, or CLASH OF THE TITANS.

Richard Higham worked at The Senate for many years. He has participated in projects like BATMAN BEGINS, THE DA VINCI CODE or STARDUST. As VFX supervisor, he take care of the effects for films like KICK-ASS, PRIEST or DARK SHADOWS.

Stuart Lashley began his career 10 years ago at MPC and works on projects such as TROY, SUNSHINE or WATCHMEN. In 2010, he joined Prime Focus teams. In the following interview, he discusses his work on MIRROR MIRROR.

Gary Brozenich is a CG artist for over 25 years, he joined MPC while the studio only had a dozen artists. After working on numerous commercials, he joined the film division since its creation and will be in charge of CG on TROY and KINGDOM OF HEAVEN. He will be then VFX supervisor for films like THE DA VINCI CODE, THE WOLFMAN or CLASH OF THE TITANS. It is therefore natural that he talks about his work on the CLASH sequel: WRATH OF THE TITANS.

Charlie Iturriaga is back on The Art of VFX. THE GIRL WITH THE DRAGON TATTOO is the fourth collaboration between David Fincher and Ollin Studio. In the following interview, Charlie explains the invisible effects studio that created them, including an impressive number of computer screens.

After explaining his work on CAPTAIN AMERICA, Dave Morley is back on The Art of VFX. In this new interview, he tells us his work on MISSION IMPOSSIBLE: GHOST PROTOCOL. This film is the second collaboration of Fuel VFX with ILM.

Sean Andrew Faden began his career in 1996 at Digital Domain where he worked on films such as THE FIFTH ELEMENT, TITANIC, FIGHT CLUB or RED PLANET. In 2004 he joined the team of Asylum Visual Effects and participate on films like CHARLIE AND THE CHOCOLATE FACTORY, THE CURIOUS CASE OF BENJAMIN BUTTON or DOMINO. In 2009, he joined Method Studios and oversee the visual effects of films such as LET ME IN, GULLIVER'S TRAVELS or CAPTAIN AMERICA: FIRST AVENGER. In the following interview, he talks about his work on THE GIRL WITH THE DRAGON TATTOO.