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In 2016, Chad Wiebe explained the work of Method Studios on DOCTOR STRANGE. He then joins Industrial Light & Magic and returns to the Thor universe for THOR: RAGNAROK.

Last July, Kevin Souls explained to us about the work of Luma Pictures on SPIDER-MAN: HOMECOMING. Raphael A. Pimentel has been working for nearly 14 years at Luma Pictures. He has participated in films such as HANCOCK, X: FIRST CLASS, THE AVENGERS and GUARDIANS OF THE GALAXY.

In 2015, Jake Morrison explained to us about his work on ANT-MAN. He is talking to us today about his fourth film with the god Thor.

Great news! Double Negative will open an office in Montreal in early 2018. Their first project will be THE KID WHO WOULD BE KING by...

In 2014, Philippe Rebours explained to us about the work of ILM on NOAH. He then worked on visual effects on AVENGERS: AGE OF ULTRON.

Theodore Bialek has more than 20 years of experience in visual effects. At Sony Pictures Imageworks, he has worked on numerous projects such as STUART LITTLE, BEOWULF, SPEED RACER and ALICE IN WONDERLAND.

Dominik Zimmerle began his career in visual effects in 2007 at Trixter. He has worked on many projects such as THE AVENGERS, CLOUD ATLAS, IRON MAN 3 and AVENGERS: AGE OF ULTRON. As a VFX Supervisor, he took care of the effects of ANT-MAN and INDEPENDENCE DAY: RESURGENCE.

Kevin Souls has over 20 years of experience in the visual effects. He worked for many years at Sony Pictures Imageworks on films such as CATS & DOGS, SUPERMAN RETURNS, WATCHMEN, HANCOCK and several SPIDER-MAN. A few months ago, Brendan Seals explained to us the work of Luma Pictures on ALIEN COVENANT.

In 2014, Lou Pecora explained to us about the work of Digital Domain on X-MEN: DAYS OF FUTURE PAST. He speaks to us today about his work on SPIDER-MAN: HOMECOMING.

Darren Poe has more than 20 years of experience in visual effects. He worked at Digital Domain, Weta Digital, Scanline VFX and then joined Double Negative in 2016. He has worked on many films such as FIGHT CLUB, STAR TREK, TRON: LEGACY and THE AVENGERS.