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Rob Duncan has worked for nearly 15 years at Framestore. He has participated in projects like LOST IN SPACE, THE BEACH or STALINGRAD. As a VFX supervisor, he worked on films such as BLADE II, UNDERWORLD, AUSTRALIA or WHERE THE WILD THINGS ARE. In the following interview, he talks about his work on JOHNNY ENGLISH REBORN.
Chad Wiebe began his career working on the impressive opening scene in bullet time of SWORDFISH at Frantic Films. He then worked on THE CORE, X2 or CATWOMAN. It then supervised the VFX for films like TOOTH FAIRY or DRAGONBALL EVOLUTION. In 2007, Frantic Films was acquired by Prime Focus. Chad then oversee the effects of ECLIPSE.
Dan Lemmon began his career with TERMINATOR 2 3-D at Digital Domain. At the same place, he will also work on TITANIC, FIGHT CLUB or THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING. He will work on two other THE LORD OF THE RINGS films at Weta Digital. In 2007, he is VFX supervisor for 30 DAYS OF NIGHT. Then follow up with ENCHANTED, JUMPER and AVATAR.
After telling us about his work at Double Negative on KICK ASS, Mattias Lindahl is back on The Art of VFX to tell us about his new project, ATTACK THE BLOCK, this time at Fido in Sweden.
Vincent Cirelli and his team are back on The Art of VFX. This time, they talk about their work on THOR.
Jody Johnson went through all stages at Double Negative. She begins with roto and the compositing on STALINGRAD, STARDUST or SHAUN OF THE DEAD. Then compositing supervisor and finally VFX supervisor for movies like PENELOPE or BRIDGET JONES: THE EDGE OF REASON.
After a first interview for LEGION, Jeff Campbell is back on The Art of VFX with a new movie for Spin VFX. In the following interview, he talks about his work on BATTLE LOS ANGELES.
Dan Schrecker has worked on all the movies of Darren Aronofsky's from PI to BLACK SWAN. He also worked on films such as THE DARJEELING LIMITED, ACROSS THE UNIVERSE or LAW ABIDING CITIZEN and the TV serie THE SOPRANOS. In 2008, he joined the staff of Look Effects.
After several years at Zoic Studios as a TD and engineer, Justin Ball joined the team at Brainstorm Digital. He participated in many projects such as BURN AFTER READING, DUPLICITY or THE ROAD. It also oversees the effects of several films like BROOKLYN'S FINEST, or LETTERS TO JULIET and THE ADJUSTMENT BUREAU.
After several years of freelance work, Frazer Churchill joined Double Negative which is one of the founders. He participated in many projects such as PITCH BLACK, BELOW or ENEMY AT THE GATES. In 2001, he became supervisor and handles the visual effects of DOOM, SAHARA or CHILDREN OF MEN.