DARK rise - résultats de la recherche

Since his last appearance on The Art of VFX where he told us about the VFX of Method Studios on J. EDGAR, Ollie Rankin worked on RED DAWN.

After beginning his career in traditional animation, Joe Farrell goes digital on TV series such as STARGATE SG-1 or JEREMIAH. Few years later, he joined Digital Domain and worked on films such as I, ROBOT, FLAGS OF OUR FATHERS, TRANSFORMERS or 2012. In 2010, he moved to Scanline VFX to work on HEREAFTER and then on IMMORTALS and BATTLESHIP.

Dan Mayer began working in visual effects more than 10 years ago. He has participated in series TV such as DEAD LIKE ME or STARGATE: ATLANTIS and also on many movies including NIGHT AT THE MUSEUM, TROPIC THUNDER, SALT or DARK SHADOWS.

Andrew Booth is a creative director who has worked on many feature films such as DIE ANOTHER DAY, HELLBOY, BATMAN BEGINS or THE DARK KNIGHT RISES and also video game like CRYSIS 2. He is the founder of Blind.

Aleksandar Pejic has worked for many years at Double Negative and particularly on films such as BATMAN BEGINS, CHILDREN OF MEN, THE DARK KNIGHT or INCEPTION. He then joined Prime Focus and supervises the effects of TOTAL RECALL.

After he talked about his work on RANGO, Henry Hobson has worked on projects like THE HANGOVER PART II, FRIGHT NIGHT or THE THING. He returns to The Art of VFX to explain his work on SNOW WHITE AND THE HUNTSMAN.

Martin Hill began his career in VFX at Double Negative, where he worked on films like BELOW, THE CHRONICLES OF RIDDICK or BATMAN BEGINS. He then joined Weta Digital for KING KONG. He worked on many projects like ERAGON, AVATAR, RISE OF THE PLANET OF THE APES or THE ADVENTURES OF TINTIN.

Since my interview of Cédric Fayolle for GAINSBOURG, he has worked on over a dozen films including GARDIENS DE L'ORDRE, 2 DAYS IN NEW YORK or BELOVED. In the following interview, he talks about his passion of working with directors and the many challenges of RUST & BONE.

Guy Williams started in visual effects in 1993 and worked on films such as DROP ZONE MARS ATTACKS! or WING COMMANDER. In 1999, he joined Weta Digital and work on the LORD OF THE RINGS trilogy, I ROBOT or KING KONG. As a VFX supervisor, he took care of AVATAR, THE A-TEAM or X-MEN FIRST CLASS.

Gary Brozenich is a CG artist for over 25 years, he joined MPC while the studio only had a dozen artists. After working on numerous commercials, he joined the film division since its creation and will be in charge of CG on TROY and KINGDOM OF HEAVEN. He will be then VFX supervisor for films like THE DA VINCI CODE, THE WOLFMAN or CLASH OF THE TITANS. It is therefore natural that he talks about his work on the CLASH sequel: WRATH OF THE TITANS.