space force - résultats de la recherche

This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...

Pete Dionne has been working in the visual effects for over 16 years. He took care of the effects of many films such as THE LONE RANGER, ELYSIUM, 300: RISE OF AN EMPIRE or THE AMAZING SPIDER-MAN 2. As a VFX Supervisor, he worked on GOOSEBUMPS and then PASSENGERS.

Last year, Sven Martin had explained to us in detail about the work of Pixomondo on BRIDGE OF SPIES. He talks today about the dragons for the season 6 of GAME OF THRONES. Be sure to watch the new making of about their work at the end of the interview!

In 2011, Matt Aitken explained to us the work of Weta Digital on THE ADVENTURES OF TINTIN. He then supervised the visual effects of IRON MAN 3 and the trilogy of THE HOBBIT.

Jay Redd started his career at Rhythm & Hues before joining Sony Pictures Imageworks in 1996 to work on CONTACT. As VFX supervisor, Jay took care of the effects of films like THE HAUNTED MANSION, MONSTER HOUSE or MEN IN BLACK 3.

Last year, Florian Gellinger had explained to us the work on Rise FX on THE MAN FROM U.N.C.L.E. He then worked on HITMAN: AGENT 47 and MANIFESTO. CAPTAIN AMERICA: THE CIVIL WAR is his second collaboration with the Russo brothers.

Bryan Hirota had explained to us in detail in 2014 the work of Scanline VFX on 300: RISE OF AN EMPIRE. He then worked on IN THE HEART OF THE SEA. BATMAN V SUPERMAN marks his fourth collaboration with director Zack Snyder and VFX supervisor John DJ Des Jardin.

Last year, Daniel Kramer talked to us about the work of Sony Pictures Imageworks on EDGE OF TOMORROW. This time, he explains in detail about his work on PIXELS.

Jake Morrison began his career in visual effects for feature film in the late 90s. He has worked on many projects, such as LORD OF THE RINGS: THE TWO TOWERS, THE MATRIX RELOADED, 300 and IRON MAN 2. He has worked for Marvel Studios as additional VFX supervisor for THOR, 2nd Unit VFX supervisor for THE AVENGERS and Production VFX Supervisor for THOR 2: THE DARK WORLD.

Tom Wood began working in the visual effects as an animator at Cinesite on films like EVENT HORIZON and LOST IN SPACE. He then worked many years at MPC on films such as ENEMY AT THE GATES, HARRY POTTER AND THE CHAMBER OF SECRETS, KINGDOM OF HEAVEN or SUNSHINE. He then became independent and take care of the effects of movies like PRINCE OF PERSIA: THE SANDS OF TIME or MIRROR MIRROR.