into the storm - résultats de la recherche

In 2013, Martin Hill explained to us the work of Weta Digital on THE WOLVERINE. He then worked on FURIOUS SEVEN, THE HUNGER GAMES: MOCKINGJAY - PART 2, CENTRAL INTELLIGENCE, VALERIAN AND THE CITY OF A THOUSAND PLANETS and ANIMAL WORLD.

In 2017, Christian Kaestner explained the work of Framestore on KING ARTHUR: LEGEND OF THE SWORD. He then worked on GEOSTORM and MARY POPPINS RETURNS.

In 2014, Eric Saindon explained the work of Weta Digital on THE HOBBIT: THE DESOLATION OF SMAUG. He then took care of the effects of THE HOBBIT: THE BATTLE OF THE FIVE ARMIES, PETE'S DRAGON and A GHOST STORY. Mike Cozens told us about his work on THE HOBBIT: THE BATTLE OF THE FIVE ARMIES in 2015. He then worked on MAZE RUNNER: THE SCORCH TRIALS.

With over 25 years of experience, Josh Simmonds has worked on many films such as AUSTRALIA, DON'T BE AFRAID OF THE DARK, HAPPY FEET TWO and MAD MAX: FURY ROAD. As a VFX supervisor, he took care of the effects of films like THE BOY, UNDERWORLD: BLOOD WARS, A-X-L and THE BALLAD OF BUSTER SCRUGGS. Craig Wentworth started his career in visual effects in 1995. He has worked in many studios such as Weta Digital, Dreamworks Animation and Sony Pictures Imageworks before joining Method Studios in 2017. He has worked on many films like THE LORD OF THE RINGS: THE RETURN OF THE KING, WATCHMEN, EDGE OF TOMORROW and GUARDIANS OF THE GALAXY.

Romain Arnoux has more than 20 years of experience in visual effects. He has worked in many studios like Mac Guff Line, DNEG, Weta Digital, MELS and joined Framestore in 2017. He has worked on many films such as AVATAR, THE ADVENTURES OF TINTIN, JOHN CARTER and RACE.

Bryan Hirota told us about the work of Scanline VFX on BATMAN V SUPERMAN: DAWN OF JUSTICE in 2016. He then worked on THE PROMISE and JUSTICE LEAGUE.

The team of Weta Digital (composed of VFX Supervisors Ken McGaugh, Kevin Smith, Luke Millar and Animation Supervisor Dennis Yoo) talk in detail about their work and the challenges on MORTAL ENGINES.

Christian Lett joined Bait Studio in 2011 and takes care of the visual effects of many projects such as THE MACHINE, THE CALL UP, TAKE DOWN and DON'T KNOCK TWICE.

José Manuel Weil started his career in visual effects in 2007 at Scanline VFX. He worked on 2012, THE AVENGERS, CLOUD ATLAS and SNOWPIERCER. As a VFX supervisor, he took care of the effects of movies like POINT BREAK, THE SHALLOWS and ROGUE ONE: A STAR WARS STORY.

In 2017, Huw Evans explained the work of DNEG on LIFE. He then worked on the new episode of MISSION: IMPOSSIBLE.