into the storm - résultats de la recherche

After he talked about his work on TRON LEGACY, Chris Harvey then joined Image Engine and explains to us his work on BATTLESHIP.

Sebastien Moreau began his career in visual effects over 15 years ago. He worked in several studios such as Hybride, Weta or ILM and participated in projects such as MIMIC, STAR WARS EPISODE II, WAR OF THE WORLDS or THE LORD OF THE RINGS: THE RETURN OF THE KING. In 2006, he founded Rodeo FX with Mathieu Raynault and oversee the effects of movies like TERMINATOR SALVATION, SOURCE CODE or RED TAILS. In the following interview, he explains his second collaboration with director Tarsem.

In 2010, Sue Rowe had told us about his work on PRINCE OF PERSIA. She then moved on the most ambitious project to date at Cinesite: JOHN CARTER. In the following interview, Sue presents in detail her work of more than two years on this film.

John Knoll joined ILM in 1986 as motion control camera operator to work on INNERSPACE and WILLOW. He will then work on THE ABYSS. He's promoted as VFX Supervisor in 1990 for the film THE HUNT OF THE RED OCTOBER (with Scott Squires). He will oversee the PIRATES OF THE CARIBBEAN and STAR WARS trilogies. He will also participate in MISSION TO MARS, SPEED RACER, AVATAR or recently RANGO. He is with his brother Thomas, one of the creators of the software Photoshop. He received nine awards including the Oscar for Best Visual Effects for PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST and more than 20 nominations. In the following interview, he talks about his work on MISSION IMPOSSIBLE: GHOST PROTOCOL that marks his return on this franchise since he had supervised the effects of the first MISSION IMPOSSIBLE.

Jonathan Harb began his career as a production assistant in the art department at ILM in 1996, he later became concept artist, matte painter, supervisor of the matte painting department and VFX supervisor. At ILM, he worked on such films as MEN IN BLACK I and II, the new STAR WARS trilogy, THE PERFECT STORM, or I.A. In 2007, he founded Whiskytree and oversaw the effects of movies like TERMINATOR SALVATION or TRON LEGACY. In the following interview, he talks about his work on THOR.

Eric Fernandes has worked in many studios such as Industrial Light and Magic, Weta Digital or Dreamworks Animation and Digital Domain. He has worked on such films as STAR WARS EPISODE II: ATTACK OF THE CLONES, LORD OF THE RINGS: THE TWO TOWERS and RETURN OF THE KING but also on KUNG FU PANDA and AVATAR.

Rodolphe Guenoden is working in animation for over 20 years. Within Dreamworks Animation, he participated in projects such as THE PRINCE OF EGYPT, THE ROAD TO EL DORADO, SINBAD: LEGEND OF THE SEVEN SEAS or KUNG FU PANDA. In the following interview, he talks about his work on KUNG FU PANDA 2.

Vincent Cirelli and his team are back on The Art of VFX. This time, they talk about their work on THOR.

Adam Avitabile worked for over 10 years at Look Effects. He has participated in numerous TV series as MALCOLM IN THE MIDDLE, ARRESTED DEVELOPMENT, PUSHING DAISIES or LOST. His career also has a lot of movies like ROCKY BALBOA, APOCALYPTO, LITTLE MISS SUNSHINE or THE WRESTLER.

Stephane Ceretti worked for nearly 12 years at BUF in Paris on films such as ALEXANDER, MATRIX 2 and 3, HARRY POTTER 4 or BATMAN BEGINS. Then he moved to MPC in London as VFX supervisor on PRINCE OF PERSIA. Since this film, he joined Method Studios still in London, where he oversaw THE SORCERER'S APPRENTICE.