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In 2016, Tim Miller explained his work and that of Blur Studio on DEADPOOL. He is back today to talk about LOVE, DEATH & ROBOTS. Jerome Denjean began his career as an animator in 2000 at Cryo Interactive. He joined Blur Studio in 2003.

The team of FuseFX, composed of Tommy Tran & Kevin Lingenfelser (VFX Supervisors) and Matt Von Brock (CG Supervisor), talk about their work on the Space Battle sequence for this episode of THE ORVILLE:

Christian Lett joined Bait Studio in 2011 and takes care of the visual effects of many projects such as THE MACHINE, THE CALL UP, TAKE DOWN and DON'T KNOCK TWICE.

Doi Atsushi began his career in the visual effects in 1997 at Digital Frontier. He has worked on many films such as DEATH NOTE, GANTZ, I AM A HERO and INUYASHIKI.

In 2014, Sue Rowe explained the work of Method Studios on THE MAZE RUNNER. She then joins MPC and works on INDEPENDENCE DAY: RESURGENCE and LEGEND OF TARZAN. In 2016, she joined Sony Pictures Imageworks and took care of the effects of THE MEG.

Sean Konrad began his career in visual effects in 2000. He worked in several studios like Prime Focus, Zoic Studios and MPC before joining Method Studios in 2016. He worked on films such as TRON: LEGACY, GODZILLA, GUARDIANS OF THE GALAXY and JUSTICE LEAGUE. John Likens began his career in motion design 10 years ago. He works in many agencies like Perception NYC, The Mill and Blind before joining Method Studios in 2014.

Big news! Senior VFX Supervisor Dan Glass (DEADPOOL 2, CLOUD ATLAS, NINJA ASSASSIN, ...) is joining the teams of DNEG! Here is the press release: DNEG...

Congratulations to Rob Bredow and Gretchen Libby for their promotions at Industrial Light & Magic! Here is the press release: ROB BREDOW TAPPED TO LEAD INDUSTRIAL...

Ben White began his VFX career at Mill Film in 1998. He then worked at Framestore and MPC before joining Nvizible. He has worked...

In 2015, Peter Chiang explained the work of DNEG on EXODUS: GODS AND KINGS. He then worked on STAR TREK BEYOND. Today he tells us about PACIFIC RIM: UPRISING.