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THE BURMA CONSPIRACY: Guillaume Pondard – VFX Supervisor – Mikros Image...
Guilaume Pondard joined in 1998. For almost 10 years he worked there as Flame artist and 2D supervisor on commercials and music videos. In 2009, he participated in the installation of Mikros Image Liege and worked on films such as COCO BEFORE CHANEL, DON'T LOOK BACK and THE OTHER WORLD.
ENTER THE VOID: Geoffrey Niquet – VFX Supervisor – BUF
Working since 1995 at BUF Company, Geoffrey Niquet has participated in projects such as BATMAN & ROBIN, FIGHT CLUB or THE CELL. It becomes VFX supervisor in 2004 on ATOMIK CIRCUS and has since overseen the effects of films such as SPEED RACER or THE EXTRAORDINARY ADVENTURES OF ADELE BLANC-SEC.
I AM NUMBER FOUR: Mat Beck – VFX Supervisor – Entity...
Mat Beck began his career over 30 years. He has worked for prestigious studios like Apogee, Boss Film or Dream Quest Images. His career includes numerous films such as STAR TREK, TRUE LIES, TITANIC or VOLCANO but he also worked on many TV shows like X-FILES or SMALLVILLE. At Entity FX, he oversaw projects like SPIDER-MAN 2, FINAL DESTINATION 4 and THE SPIRIT.
THE ADJUSTMENT BUREAU: Mark Russell – Production VFX Supervisor
Mark Russell began his career as a VFX producer. For several years he has produced the effects of many films like MINORITY REPORT, HELLBOY or THE ITALIAN JOB. He then became VFX supervisor for films such as SLEEP DEALER, DOUBT or CARRIERS.
SUCKER PUNCH: Guillaume Rocheron – VFX Supervisor – MPC
Since his interview about PERCY JACKSON, Guillaume Rocheron worked on SUCKER PUNCH. In the following interview, he talks about his work on this show.
SUCKER PUNCH: Bryan Hirota – VFX Supervisor – Prime Focus
Bryan Hirota worked for nearly 20 years in visual effects. He has worked at Rhythm and Hues, CIS Hollywood and recently at Prime Focus. His career includes numerous films such as DEMOLITION MAN, ARMAGEDDON or END OF DAYS. He oversaw films like MATRIX REVOLUTIONS, ERAGON or WATCHMEN.
PAUL: Jody Johnson – VFX Supervisor – Double Negative
Jody Johnson went through all stages at Double Negative. She begins with roto and the compositing on STALINGRAD, STARDUST or SHAUN OF THE DEAD. Then compositing supervisor and finally VFX supervisor for movies like PENELOPE or BRIDGET JONES: THE EDGE OF REASON.
THE ADJUSTMENT BUREAU: J. John Corbett – Animation & Design Supervisor...
J. John Corbett has worked on a impressive number of main titles for TV series such as LIFE IS WILD or 30 ROCK and also for movies like INTOLERABLE CRUELTY, THE DEVIL WEARS PRADA or NO COUNTRY FOR OLD MEN. He received a VES Award for BOARDWALK EMPIRE and was nominated for a Prime Time Emmy for the title sequence of ANGELS IN AMERICA.
BATTLE LOS ANGELES: Ben Shepherd – VFX Supervisor – Cinesite
Ben Shepherd works for over 10 years in visual effects, he participated in many projects such as BIG FISH, HARRY POTTER AND THE GOBLET OF FIRE, and TIM BURTON'S CORPSE BRIDE at MPC. In 2006, he joined Cinesite teams where he oversaw films such as X-MEN: THE LAST STAND, THE DAY THE EARTH STOOD STILL or 2 episodes of the TV series THE PRISONER.
BATTLE LOS ANGELES: Jeff Campbell – VFX Supervisor – Spin VFX
After a first interview for LEGION, Jeff Campbell is back on The Art of VFX with a new movie for Spin VFX. In the following interview, he talks about his work on BATTLE LOS ANGELES.