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THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER –...
Adam Valdez began his career at Tippett Studio in 1990 where he worked on great projects such as JURASSIC PARK or STARSHIP TROOPERS. After a transit at PDI, he joined the team at Weta Digital working on the first two LORD OF THE RINGS. In 2004, he moved to London and worked since then at MPC.
LOST Final Season: Adam Avitabile – VFX Supervisor – Look Effects
Adam Avitabile worked for over 10 years at Look Effects. He has participated in numerous TV series as MALCOLM IN THE MIDDLE, ARRESTED DEVELOPMENT, PUSHING DAISIES or LOST. His career also has a lot of movies like ROCKY BALBOA, APOCALYPTO, LITTLE MISS SUNSHINE or THE WRESTLER.
HARRY POTTER AND THE DEATHLY HALLOW Part 1: Andy Robinson –...
After working several years at Toybox and Mr. X, Andy Robinson joined Cinesite in 2004. He worked on numerous projects such as V FOR VENDETTA, THE GOLDEN COMPASS or THE DARK KNIGHT.
HARRY POTTER AND THE DEATHLY HALLOW Part 1: Holger Voss –...
After working several years with H5B5 and FrameFx, Holger Voss joined Cinesite in 2003 where he worked on a wide variety of projects for film such as THE GOLDEN COMPASS, MOON or V FOR VENDETTA but also on TV series like GENERATION KILL.
THE WALKING DEAD: Prologue Films
After dealing the high technology with IRON MAN 2, Prologue Films is now grappling with zombies for the main title of THE WALKING DEAD.
CENTURION: Jacob Otterström – VFX Supervisor – Filmgate
Jacob Otterström worked at Filmgate for more than 4 years. He has participated on movies such as THE COTTAGE, EDEN LAKE or THE DESCENT Part 2.
RESIDENT EVIL AFTERLIFE 3D: Ara Khanikian – Lead Compositing – Rodeo...
After we have talked about the visual effects of Rodeo FX on JONAH HEX, Ara Khanikian gave me a new interview to talk about RESIDENT EVIL : AFTERLIFE 3D.
TOY STORY 3: Simon Christen – 3D Animator – Pixar
[lang_fr]Après ses études en Suisse, Simon Christen est venu en Californie pour étudier à l'Academy of Art University de San Francisco. Une fois diplômé, il a fait un premier travail chez Pixar puis ensuite chez Disney avant de retourner chez Pixar où il a travaillé depuis sur RATATOUILLE, UP et TOY STORY 3.
Dans l'interview qui suit, il nous parle de son travail sur TOY STORY 3.
Pour lire l'interview, cliquer ici.
// Version originale: Anglais[/lang_fr][lang_en]After his studies in Switzerland, Simon Christen came to California to study at the Academy of Art University in San Francisco. After graduation, he took a first job at Pixar and then Disney before going back at Pixar, where he has worked since on RATATOUILLE, UP and TOY STORY 3.
In the following interview, he talks to us about his work on TOY STORY 3.
To read the interview, click here.
// Original version: English.[/lang_en] 
JONAH HEX: Ara Khanikian – Lead Compositing – Rodeo FX
Ara Khanikian evolves in the midst of visual effects of Montreal since nearly 10 years, he has gone through many studios like Buzz Image, Hybride or Rodeo FX. He has worked on projects such as THE FOUNTAIN, 300, THE X-FILES, TERMINATOR SALVATION or TWILIGHT: ECLIPSE. In the following interview, he talks to us about his work on JONAH HEX.
PRINCE OF PERSIA: Ben Morris – VFX Supervisor – Framestore
After working several years at Mill Film on films such as BABE 2, GLADIATOR or LARA CROFT, Ben Morris joined Framestore in 2000 and participate on projects such as TROY, CHARLIE AND THE CHOCOLATE FACTORY and as visual effects supervisor on THE GOLDEN COMPASS and PRINCE OF PERSIA.