hold the dark - résultats de la recherche

A few weeks ago, Stephane Nazé explained to us in detail about the work of Framestore on DARKEST HOUR. He talks to us today about his work on DOWNSIZING.

In 2016, Chad Wiebe explained the work of Method Studios on DOCTOR STRANGE. He then joins Industrial Light & Magic and returns to the Thor universe for THOR: RAGNAROK.

Huw Evans began his career in 2006 at Double Negative. He has worked on numerous projects such as THE DARK KNIGHT, INCEPTION, MAN OF STEEL and THE HUNGER GAMES: CATCHING FIRE.

Vincent Cirelli explained to us about the work of Luma Pictures on CAPTAIN AMERICA: CIVIL WAR earlier this year. He is now talking about his work on DOCTOR STRANGE.

In 2015, Craig Hammack told us about the work of Industrial Light & Magic on TOMORROWLAND. After BATTLESHIP, DEEPWATER HORIZON marks his second collaboration with director Peter Berg.

Bryan Hirota had explained to us in detail in 2014 the work of Scanline VFX on 300: RISE OF AN EMPIRE. He then worked on IN THE HEART OF THE SEA. BATMAN V SUPERMAN marks his fourth collaboration with director Zack Snyder and VFX supervisor John DJ Des Jardin.

Jonathan Rothbart began his career in VFX at Industrial Light & Magic in 1995. He worked on films like DRAGONHEART, MEN IN BLACK or STAR WARS: EPISODE I - THE PHANTOM MENACE. In 2000, he created the studio The Orphanage with Scott Stewart and Stu Maschwitz. He will oversee the effects of many films like HERO, HELLBOY, SIN CITY or IRON MAN. In 2010, The Orphanage is closed and Jonathan becomes production side VFX Supervisor and take care of the effects of LEGION, PRIEST and AFTER EARTH.

Last year, Daniel Kramer talked to us about the work of Sony Pictures Imageworks on EDGE OF TOMORROW. This time, he explains in detail about his work on PIXELS.

Tom Wood began working in the visual effects as an animator at Cinesite on films like EVENT HORIZON and LOST IN SPACE. He then worked many years at MPC on films such as ENEMY AT THE GATES, HARRY POTTER AND THE CHAMBER OF SECRETS, KINGDOM OF HEAVEN or SUNSHINE. He then became independent and take care of the effects of movies like PRINCE OF PERSIA: THE SANDS OF TIME or MIRROR MIRROR.

In 2013, Chris Harvey explained to us the work of Image Engine on ZERO DARK THIRTY. He then worked on FAST & FURIOUS 6 and R.I.P.D. Today, he talks about his work on CHAPPIE.