animal world - résultats de la recherche

Doi Atsushi began his career in the visual effects in 1997 at Digital Frontier. He has worked on many films such as DEATH NOTE, GANTZ, I AM A HERO and INUYASHIKI.

Louis Morin explained his work on ARRIVAL in 2016. He then took care of the effects of WONDERSTRUCK. He talks to us today about his work on THE HOUSE WITH A CLOCK IN ITS WALLS.

In 2016, Russell Earl explained the work of ILM on CAPTAIN AMERICA: CIVIL WAR. He then worked on VIRAL and THE CLOVERFIELD PARADOX. Today, he returns to the MCU with AVENGERS: INFINITY WAR.

In 2010, Adrian de Wet explained the work of DNEG on THE SORCERER'S APPRENTICE. He then worked on THE TREE OF LIFE, TOTAL RECALL, THE HUNGER GAMES: CATCHING FIRE, THE HUNGER GAMES: MOCKINGJAY - PART 1 and 2.

In 2014, Sue Rowe explained the work of Method Studios on THE MAZE RUNNER. She then joins MPC and works on INDEPENDENCE DAY: RESURGENCE and LEGEND OF TARZAN. In 2016, she joined Sony Pictures Imageworks and took care of the effects of THE MEG.

In 2017, Huw Evans explained the work of DNEG on LIFE. He then worked on the new episode of MISSION: IMPOSSIBLE.

Dan Macarin worked at Animal Logic and Rhythm & Hues before joining Weta Digital in 2008. He has worked on many films such as HAPPY FEET, THE GOLDEN COMPASS, AVATAR, DAWN OF THE PLANET OF THE APES, THE BFG and MAZE RUNNER: THE DEATH CURE.

In 2017, Erik Winquist had explained the awesome work of Weta Digital on WAR FOR THE PLANET OF THE APES. He talks to us today about the giant creatures of RAMPAGE.

Roger Guyett explained the ILM's work on STAR WARS - THE FORCE AWAKENS in 2016. READY PLAYER ONE marks his new collaboration with director Steven Spielberg. In 2012, Grady Cofer told us about his work on BATTLESHIP. He then worked on many films such as LONE SURVIVOR, NOAH and TERMINATOR GENISYS.

Andy Brown has been working in visual effects for 30 years. Before joining Method he worked at Animal Logic for 22 years during which he was VFX Supervisor on MOULIN ROUGE, HERO, HOUSE OF FLYING DAGGERS, WORLD TRADE CENTER, AUSTRALIA, SUCKER PUNCH, THE GREAT GATSBY, and THE GREAT WALL. Todd Sheridan Perry has been in visual effects and animation since 1992. After owning a small visual effect boutique in Venice, CA for nearly ten years, Todd has worked on projects including LORD OF THE RINGS: THE TWO TOWERS, CHRONICLES OF RIDDICK, 2012, THE MIST, and SPEED RACER. He has worked with Method as a CG Supervisor on AVENGERS: AGE OF ULTRON and DOCTOR STRANGE.