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Kelly Port had explained in details the work of Digital Domain on THOR in 2011. He then worked on the effects of THE WATCH. Now he talks about his work on MALEFICENT.

CAPTAIN AMERICA - THE WINTER SOLDIER: Bryan Grill - VFX Supervisor - Scanline VFX Last year, Bryan Grill explained to us in details the work...

Philippe Rebours began his career in visual effects at BUF on THE CITY OF LOST CHILDREN. He then joined Industrial Light & Magic in...

Hybride have released their showreel with shots from PACIFIC RIM, THE SMURFS 2, JAPPELOUP, AVATAR and many more: WANT TO KNOW MORE? PACIFIC RIM: VFX Breakdown...

Last year, Eric Saindon had told us in detail about his work for THE HOBBIT - AN UNEXPECTED JOURNEY. Now, he's back for the second episode of HOBBIT.

In May, Guy Williams has explained to us in details about the work of Weta Digital on IRON MAN 3. Now he talks about his work on THE HUNGER GAMES - CATCHING FIRE.

Guy Williams had talked to us here about the visual effects of Weta Digital on THE AVENGERS a year ago. He is back with this new Marvel production and explains the many challenges on this film. Aaron Gilman started his career in animation more than 10 years ago. He worked for studios such as Meteor Studios and Tippett Studio on projects like MATRIX REVOLUTIONS, HELLBOY, CONSTANTINE or JOURNEY TO THE CENTER OF THE EARTH. He then joined Weta Digital to work on AVATAR. After that he worked on films such as THE ADVENTURES OF TINTIN, THE AVENGERS and THE HOBBIT: AN UNEXPECTED JOURNEY.

Aaron Gilman started his career in animation more than 10 years ago. He worked for studios such as Meteor Studios and Tippett Studio on projects like MATRIX REVOLUTIONS, HELLBOY, CONSTANTINE or JOURNEY TO THE CENTER OF THE EARTH. He then joined Weta Digital to work on AVATAR. After that he worked on films such as THE ADVENTURES OF TINTIN, THE AVENGERS and THE HOBBIT: AN UNEXPECTED JOURNEY.

Neil Huxley is back on Art of VFX. He talked about his work at Prime Focus on AVATAR. He then joined the team of Mothership as director. Accompanied by Aladino Debert, he explains his work on this DEAD SPACE 3 commercial.

Dan Levitan began his career in visual effects at Cinesite Hollywood in 1994 and worked on films like WATERWORLD, GATTACA or PLEASANTVILLE. He then worked at Dream Quest Images, CIS Hollywood, Digital Dimension and Hammerhead. As VFX supervisor, he worked on movies such as SALT, THE HANGOVER PART II or FRIGHT NIGHT.