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In 2012, Olivier Cauwet explained the work of BUF on TOTAL RECALL. He then took care of many projects such as COSMOS: A SPACETIME ODYSSEY, INDEPENDENCE DAY: RESURGENCE, AMERICAN GODS or TWIN PEAKS. Jeremy Robert began his VFX career at BUF in 2007. As a VFX supervisor, he was responsible for the visual effects of films such as POLTERGEIST, RACE, X-MEN: APOCALYPSE or AMERICAN GODS.

John Nelson supervised the visual effects of more than 20 movies such as IN THE LINE OF FIRE, THE MATRIX RELOADED, I ROBOT and IRON MAN. He won an Academy Award for Best Achievement in Visual Effects for GLADIATOR.

Karen Murphy began her career in the visual effects almost 25 years ago. She has produced the effects of many films such as TITANIC, WILD WILD WEST, HUGO and FURIOUS 7.

Congratulations to all the winners of animago AWARD 2017: Best character Poilus Guillaume Auberval, Léa Dozoul, Simon Gomez, Timothé Hek, Hugo Lagrange, Antoine Laroye &...

Last year, François Dumoulin explained to us about the work of Rodeo FX on THE LEGEND OF TARZAN. He speaks to us today about his new collaboration with Luc Besson and the challenges encountered on VALERIAN.

The team of Main Road Post, composed of Arman Yahin (CEO) and the VFX Supervisors Andrey Maximov and Dmitry Kuznetsov, talks in detail about their great work on ATTRACTION.

In 2012, Paul Butterworth explained to us the work of Fuel VFX on PROMETHEUS. He then worked on IRON MAN 3, THE HUNGER GAMES: CATCHING FIRE and X-MEN: DAYS OF FUTURE PAST. In 2014, Fuel VFX is acquired by Animal Logic. Within this studio, Paul works on INSURGENT, AVENGERS: AGE OF ULTRON and CAPTAIN AMERICA: CIVIL WAR.

Glassworks Barcelona have just released this making of about their nice work on this PEPSI ARABIA commercial directed by Ernest Desumbila: PEPSI ARABIA "Hand in...

Tom Proctor began his career as a compositor on THE MATRIX at Manex Visual Effects. He worked in many studios such as Weta Digital, Evil Eye Pictures or Rising Sun Pictures before joining Double Negative in 2010.

Samir Hoon began his career in VFX at R/Greenberg Associates in 1993. He joined Industrial Light & Magic in 1995. He has worked on numerous projects such as TERMINATOR 3: RISE OF THE MACHINES, ERAGON, STAR TREK INTO DARKNESS or HITMAN: AGENT 47.