The Wheel of Time - résultats de la recherche

Jake Morrison began his career in visual effects for feature film in the late 90s. He has worked on many projects, such as LORD OF THE RINGS: THE TWO TOWERS, THE MATRIX RELOADED, 300 and IRON MAN 2. He has worked for Marvel Studios as additional VFX supervisor for THOR, 2nd Unit VFX supervisor for THE AVENGERS and Production VFX Supervisor for THOR 2: THE DARK WORLD.

Marshall Krasser began his career in the VFX at ILM in 1994, he worked on films such as THE MUMMY, PEARL HARBOR, AVATAR or BATTLESHIP. In 2014, he joined Scanline VFX in Vancouver and then Prime Focus World. He has now joined Psyop Film & Television.

In 2010, Paul Franklin had explained to us the Double Negative's work on INCEPTION. Two years later, he reworked with Christopher Nolan on the conclusion of his BATMAN trilogy. He reteamed with the director this year for INTERSTELLAR.

In 2012, Hugh Macdonald had explained to us the Nvizible work on SKYFALL. He now talks about his first experience as a Overall VFX Suprevisor on KICK ASS 2.

After explaining the visual effects of Image Engine on BATTLESHIP, Chris Harvey is back to talk about his work and his collaboration with Kathryn Bigelow on ZERO DARK THIRTY.

Since my interview of Cédric Fayolle for GAINSBOURG, he has worked on over a dozen films including GARDIENS DE L'ORDRE, 2 DAYS IN NEW YORK or BELOVED. In the following interview, he talks about his passion of working with directors and the many challenges of RUST & BONE.

From 8 to 11th Mai took place the FMX 2012 with an impressive selection of high quality conferences. This was an great opportunity to meet many artists interviewed here and also make beautiful meetings. A big thanks to the FMX staffs!

After speaking with us about the effects for IMMORTALS, Simon Hughes returns to The Art of VFX. In the following interview, he talks of the many invisible effects for SAFE HOUSE.

After telling us about his work on ABDUCTION, Greg Liegey is back on The Art of VFX to explain his work on TOWER HEIST.

After studying in Korea and Canada, Eui Park returned to Korea and worked at Next Visual Studio on over 40 films including THE CHASER, THREE KINGDOMS or THE MUREDERER. In the following interview, he talks about his work on 14 BLADES (YI JIN WEI).