Interviews

Betsy Paterson has worked in visual effects for over 23 years. She worked on many films such as BABE: PIG IN THE CITY, SCOOBY-DOO, THE INCREDIBLE HULK, THE HUNGER GAMES and MARCO POLO.

Kirk Shintani worked for many years as a freelancer before joining teams of a52/elastic. In the following interview, he talks about his work on the main title of GAME OF THRONES for which he received an Emmy Award.

A few months ago, Nikos Kalaitzidis explained the work of Digital Domain on ANT-MAN AND THE WASP. He talks to us today about his work on SHADOW.

Martin Pelletier began his career in the VFX almost 10 years ago. Before joining the teams of Modus FX, Martin worked at Hybride and Buzz Image Group and participated in projects like ETERNAL SUNSHINE OF THE SPOTLESS MIND, SIN CITY or 300. At Modus, he oversaw the CG for project such as SUPER or SOURCE CODE. In the following interview, he discusses his work on MIRROR MIRROR.

In 2013, VFX Supervisor Ara Khanikian had explained in detail the work of Rodeo FX on NOW YOU SEE ME. He then worked on many projects and oversaw the visual effects of BIRDMAN and TOMORROWLAND. He now talks about THE LAST WITCH HUNTER, which marks the third Rodeo FX collaboration with Nick Brooks.

Salvador Zalvidea has over 18 years of experience in the visual effects. He has worked on films like THE COMMUTER, KINGSMAN: THE SECRET SERVICE and THE GREAT GATSBY. As a VFX Supervisor, he took care of the effects in CLASS SEASON 1, DOCTOR WHO SEASON 9 and DOCTOR WHO CHRISTMAS SPECIAL.

Chrisophe Dupuis joined BUF in 1995. He has worked on many projects such as BATMAN & ROBIN, FIGHT CLUB or SPEED RACER.

Andrew Scrase started his career in visual effects in 2007 at DNEG. He then worked at One of Us before joining Framestore in 2019. He has worked on various shows including KICK-ASS, INTERSTELLAR, PACIFIC RIM: UPRISING and ALADDIN. Standish Millennas began working in VFX in 2007 at Machine. She then joined Prime Focus and One of Us then Framestore in 2019. She has worked on projects such as ROBIN HOOD, THE EAGLE, THE OA and TOLKIEN.

Ciaran Crowley began his career in the visual effects more than 20 years ago at DNEG. He joined Milk Visual Effects in 2018. His filmography includes many films such as THE DARK KNIGHT, INCEPTION, THE ASH LAD: IN THE HALL OF THE MOUNTAIN KING, THE PROFESSOR AND THE MADMAN.

Located in Turin, Italy, View Conference is really a great place to meet VFX and animation speakers. After Scott Farrar, here is a new...