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Come have a look at how Pixomondo enhanced the various stunts and locations for THE GIRL IN THE SPIDER'S WEB: WANT TO KNOW MORE? Pixomondo: Dedicated...
Christoph Schmidt joined Pixomondo in 2014 and has worked on many projects such as FURIOUS SEVEN, THE SHANNARA CHRONICLES, THE FATE OF THE FURIOUS and GAME OF THRONES.
In 2014, Lou Pecora explained to us about the work of Digital Domain on X-MEN: DAYS OF FUTURE PAST. He speaks to us today about his work on SPIDER-MAN: HOMECOMING.
Back in 2019, Scott Edelstein explained Digital Domain's work on Avengers: Endgame. Today he returns to tell us about Free Guy. How did you and...
Dave Houghton has been working in visual effects for over 20 years. He has worked on numerous projects including TORCHWOOD, DOCTOR WHO, SINBAD and THE ALIENIST.
After working at BBC on PLANET DINOSAUR, Tom Brass joined Jellyfish Pictures in 2011. He worked on many projects such as AMERICAN DYNASTIES: THE KENNEDYS, DEADLY DINOSAURS WITH STEVE BACKSHALL and THE INNOCENTS. Dave Cook began his career in visual effects in 2004. He worked in many studios and then became Head of 3D at Jellyfish Pictures in 2015.
Doi Atsushi began his career in the visual effects in 1997 at Digital Frontier. He has worked on many films such as DEATH NOTE, GANTZ, I AM A HERO and INUYASHIKI.
Eric Robinson explained to us about the Mr. X's work on CARRIE's remake in 2014. He then worked on projects such as POMPEII, THE STRAIN, BATES MOTEL and RIDE ALONG 2. He's back today in the universe of RESIDENT EVIL.
Scott Stokdyk starts working in visual effects more than 17 years ago. He has worked on such films as BROKEN ARROW, THE FIFTH ELEMENT, TITANIC or GODZILLA. He then worked on the SPIDER-MAN trilogy of director Sam Raimi and win an Oscar for Best Visual Effects for SPIDER-MAN 2. OZ THE GREAT AND POWERFUL is its fourth collaboration with Sam Raimi.
Dmitry Tokoyakov began his career as a compositor and rose through the ranks to become VFX Supervisor. He worked many years at Bazelevs and oversaw the effects of movies like WANTED or APOLLO 18. In the following interview, Dmitry talks about his work on THE DARKEST HOUR.
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